||John Roeder, "Pulse Streams and Problems of Grouping and Metrical Dissonance in Bartók's 'With Drums and Pipes,'" Music Theory Online 7.1 (2001)||<< Sect. 6b||Section 6c||Sect. 7a >>|
[6.7] The following example (VI.2b) presents the same analysis, but omits the underlying piano music, so that the stream combination can be heard more readily.
Example VI.2b [click here
if the movie does not appear or play correctly]
Click here to rehear Example VI.2a
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