Vincent P. Benitez, "Simultaneous Contrast and Additive Designs in Olivier Messiaens Opera"
Example 2. Derivation of the Chords of Transposed Inversions
on the Same Bass Note from a V9 Chord (see Traité de rythme, 3:86)
| Change to GIF|
Reproduced with the kind authorization of Editions Alphonse Leduc, proprietary editor worldwide, Paris, France.