Volume 10, Number 2, June 2004
Copyright © 2004 Society for Music Theory


2.1.4 Second-Inversion Triads

Table 2.1.4a. Rules for voice-doubling in second-inversion triads. (Only theorists who identify inversion-specific rules are included.)

Theorists Double the fifth/bass Depends on quality Reinforce the key Depends on function Root > Fifth
Alchin (26)        
Aldwell & Schachter (27)        
Benjamin, et al.(28)      
Chadwick (30)        
Christ, et al. (31)      
DeLone (32)        
Foote & Spalding (33)        
Kostka & Payne (36)        
MacPherson (39)        
Morris (42)        
Ottman (44)        
Piston (46)        
Rimsky-Korsakov (50)        
Robinson (51)        
Siegmeister (55)        
Stainer (56)        
Tchaikovsky (58)        
Trotter (60)        
Tweedy (61)        
Warburton (62)        
Weidig (63)        
Total: 19 1 1 1 1


Back to §2.1 (Doubling Rules)
Back to §2 (Rules for Doubling and Spacing)

Go on to §2.2 (Spacing Rule)


Copyright Statement

Copyright © 2004 by the Society for Music Theory. All rights reserved.

[1] Copyrights for individual items published in Music Theory Online (MTO) are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.

This document and all portions thereof are protected by U.S. and international copyright laws. Material contained herein may be copied and/or distributed for research purposes only.

    Return to beginning    


                                                                                                                                                                                                                                                                                                                                                                                                       
SMT

Prepared by Brent Yorgason, Managing Editor and Tahirih Motazedian, Editorial Assistant