Frank Samarotto, Sublimating Sharp ^4: An Exercise in Schenkerian Energetics

Example 5. Debussy, Arabesque no. 1, voice-leading sketches
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  a. the first phrase and its continuation
 
 
 


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  b. the first return of the first phrase
 
 
 


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(middle section omitted)

 

  c. the third return of the first phrase
 
 
 


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