Music Theory Online Volume 13, Number 3

Volume 13 Number 3, September 2007

Editor’s Message

Articles

A Circular Plot for Rhythm Visualization and Analysis	13.3.1
Fernando Benadon (American University)

Considering Network Recursion and Bartók’s “Fourths”	13.3.2
Scott Murphy (University of Kansas)

The Progress of a Motive in Brahms’s Intermezzo op. 119, no. 3	13.3.3
Adam Ricci (University of North Carolina at Greensboro)

Listening to the Music Itself: Breaking Through the Shell of Elliott Carter’s “In Genesis”	13.3.4
Mark Sallmen (University of Toronto)

Commentaries

Response to Fernando Benadon	13.3.5
Matthew W. Butterfield (Franklin & Marshall College)

On Michael Buchler’s “Reconsidering Klumpenhouwer Networks”

The Efficacy of K-Nets in Perlean Theory	13.3.6
Gretchen Foley (University of Nebraska-Lincoln)

Reconsidering Klumpenhouwer Networks: a Response	13.3.7
Henry Klumpenhouwer (University of Alberta)

K-nets and Hierarchical Structural Recursion: Further Considerations	13.3.8
Catherine Losada (University of Cincinnati College-Conservatory of Music)

Thoughts on Klumpenhouwer Networks and Mathematical Models: The Synergy of Sets and Graphs	13.3.9
Catherine Nolan (University of Western Ontario)

Embracing Relational Abundance	13.3.10
Shaugn O’Donnell (The City College and Graduate Center, CUNY)

Without a Safety (k)-Net	13.3.11
Philip Stoecker (Oberlin College Conservatory)

Recasting K-nets	13.3.12
Dmitri Tymoczko (Princeton University)

Review

Review of Anthony K. Brandt, Sound Reasoning: A New Way to Listen (http://www.soundreasoning.org)	13.3.13
Jeff Perry (Louisiana State University)

MTO Personnel for the Current Volume

Updated November 25 2017

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