Volume 19 Number 3, September 2013

Copyright © 2013 Society for Music Theory


Editor’s Message

Articles

Mashing: Toward a Typology of Recycled Music
19.3.1
        Christine Boone (Indiana State University)
Sentential Lyric-Types in the Great American Songbook
19.3.2
        Michael R. Callahan (Michigan State University)
Species Counterpoint with a Moveable Tenor (SCAMET): Comparing Species Counterpoint and Polyphonic Music Without a Cantus Firmus
19.3.3
        Murray Dineen (University of Ottawa)
“To Discourse Learnedly” and “Compose Beautifully”: Thoughts on Gioseffo Zarlino, Theory, and Practice
19.3.4
        Cristle Collins Judd (Bowdoin College)
Interval Permutations
19.3.5
        Drew F. Nobile (The University of Chicago)
Fraught with Ought: An Outline of an Expressivist Meta‚ÄźTheory
19.3.6
        Bryan J. Parkhurst (University of Michigan)

Essay

To MOOC or Not To MOOC?
19.3.7
        John Covach (University of Rochester)

Reviews

Review of Michael L. Klein and Nicholas Reyland, eds., Music and Narrative since 1900 (Indiana University Press, 2013) and Peter Kivy, Antithetical Arts: On the Ancient Quarrel between Literature and Music (Clarendon Press, 2009)
19.3.8
        Matt BaileyShea (University of Rochester)
Review of Matthew Dirst, Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn (Cambridge University Press, 2012)
19.3.9
        Christopher Brody (Indiana University)
Review of Susan Wollenberg, Schubert’s Fingerprints: Studies in the Instrumental Works (Ashgate, 2011)
19.3.10
        Suzannah Clark (Harvard University)
Review of Michael Cuthbert, Music21: a Toolkit for Computer-aided Musicology (http://web.mit.edu/music21/)
19.3.11
        Dmitri Tymoczko (Princeton University)




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Updated November 25 2017