Music Theory Online Volume 20, Number 4

Volume 20 Number 4, December 2014

Editor’s Message

Articles

From Me To You: Dynamic Discourse in Popular Music	20.4.1
Matthew L. BaileyShea (Eastman School of Music)

Modal Idioms and Their Rhetorical Associations in Rachmaninoff’s Works	20.4.2
Blair Johnston (Indiana University)

Music and Other Sign Systems	20.4.3
Beate Kutschke (University of Leipzig)

Strophic Modification in Songs by Amy Beach	20.4.4
Victoria Malawey (Macalester College)

Performance and Analysis: Chopin and Schumann

Performing Expressive Closure in Structurally Open Contexts: Chopin’s Prelude in A minor and the Last Two Dances of Schumann’s Davidsbündlertänze	20.4.5
Robert S. Hatten (University of Texas at Austin)

On Performing Chopin’s Barcarolle	20.4.6
David Kopp (Boston University)

Treading Robert Schumann’s New Path: Understanding Declamation in the Late Lieder through Analysis and Recomposition	20.4.7
Harald Krebs (University of Victoria)

Reviews

Review of Elizabeth Margulis, On Repeat: How Music Plays the Mind (Oxford, 2013)	20.4.8
Joshua Albrecht (University of Mary Hardin-Baylor)

Review of Bryan R. Simms, ed., Pro Mundo, Pro Domo: The Writings of Alban Berg (Oxford, 2014)	20.4.9
Dave Headlam (Eastman School of Music)

Review of David Beach, Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form (Routledge, 2012), and accompanying Teacher’s Manual (PDF format)	20.4.10
Joseph Kraus (Florida State University)

MTO Personnel for the Current Volume

Updated November 24 2017

Music Theory Online, an open-access publication, is fully funded by the Society for Music Theory.

If you are enjoying and benefitting from the scholarship that we offer and have the means, please consider making a donation to the Society for Music Theory!