Volume 22 Number 1, March 2016

Copyright © 2016 Society for Music Theory


Editor’s Message

Articles

Contour Recursion and Auto-Segmentation
22.1.1
        Aaron Carter-Ényì (Ohio State University)
A System for Describing Vocal Timbre in Popular Song
22.1.2
        Kate Heidemann (Colby College)
Film Music Themes: Analysis and Corpus Study
22.1.3
        Mark Richards (Florida State University)

Commentary

Integration, Diversity, and Creativity: Reflections on the “Manifesto” from the College Music Society
22.1.4
        Jennifer Sterling Snodgrass (Appalachian State University)

Webinar: Monday 6 June at 2pm EDT

Join the conversation at: https://zoom.us/j/510914232

Supplementary material


Reviews

Review of Ron Moy, Authorship Roles in Popular Music: Issues and Debates (Routledge, 2015)
22.1.5
        Robin Attas (Elon University)
Review of Ralf von Appen, André Doehring, Dietrich Helms, and Allan Moore, eds. Song Interpretation in 21st-Century Pop Music (Ashgate, 2015)
22.1.6
        Trevor de Clercq (Middle Tennessee State University)
Review of Thomas Christensen, The Work of Music Theory (Ashgate, 2014)
22.1.7
        Patrick McCreless (Yale University)




SMT

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Updated November 24 2017

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