Musical Examples

Nathan Pell, Key Profiles in Bruckner’s Symphonic Expositions


Main Examples

Ex. 3: Bruckner VIII: Finale Opening | Ex. 4: Bass-Line Sketches | Ex. 5: Symphony VI: Adagio (Middleground) | Ex. 6: Symphony VI: Adagio (Foreground)

Appendix

Symphony III: Finale | Symphony IV: Finale | Symphony V: Finale | Symphony VI: Finale | Symphony VII: Finale | Symphony VIII: Finale | Symphony VI: Adagio, Opening (Alternate Reading)

Symphony VII: Finale

mm. 1–11 | mm. 11–27 | mm. 27–34 | mm. 35–93 | mm. 93–117


In Figures A–S, each quarter note represents one measure of music, unless measure numbers indicate otherwise. Figures A–H explain the voice leading of mm. 1–11 by stages.

Measures 1–11: Vienna Philharmonic Orchestra, cond. Wilhelm Furtwängler, 1951