=== === ============= ==== === === == == == == == === == == = == ==== === == == == == == == == = == == == == == == == == == ==== M U S I C T H E O R Y O N L I N E A Publication of the Society for Music Theory Copyright (c) 1994 Society for Music Theory +-------------------------------------------------------------+ | Volume 0, Number 6 January, 1994 ISSN: 1067-3040 | +-------------------------------------------------------------+ All queries to: mto-editor@husc.harvard.edu +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ File: mto.94.0.6.job Miami University, Oxford, OH POSITION/RANK: Assistant Professor INSTITUTION: Miami University, Oxford OH QUALIFICATIONS: Doctorate in Theory, or in Composition with demonstrated expertise in theory. Familiarity with contemporary approaches to music analysis, extensive MIDI knowledge, and commercial music experience. Preference given to candidates with evidence of strength in all areas. DUTIES: 1) Teach undergraduate core courses in music theory and ear training, possible graduate review course in music theory. Advanced courses commensurate with interests and experience, including counterpoint, analysis, 20th- century literature, advanced ear training, world music, etc. 2) Teach and recruit theory and composition students; develop a concentration in commercial music and instruct in the subsequent program. SEND: Letter of intent; CV; short statement of teaching philosophy (c. 250 words); teaching profile (with evaluations if possible); list of references (with telephone numbers); three current letters of recommendation. No scores, tapes, articles, etc. at this time. DEADLINE: February 1, 1994 CONTACT: Claire Boge, Chair Theory Search Committee Department of Music Miami University Oxford, OH 45056 Phone: 513-529-1441; Messages at 513-529-3014 Fax: 513-529-3027 (please follow up with hard copy) E-mail: boge_claire@msmail.muohio.edu (acknowledgment will be sent) +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ Copyright Statement [1] Music Theory Online (MTO) as a whole is Copyright (c) 1994, all rights reserved, by the Society for Music Theory, which is the owner of the journal. Copyrights for individual items published in (MTO) are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may *not* be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO. [2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear: This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here. [3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory. +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ END OF MTO ITEM