Music Theory Online

The Online Journal of the Society for Music Theory

General Editor Editorial Board

Lee Rothfarb Claire Boge (Miami University [Ohio]) (UC Santa Barbara) David Headlam (Eastman School of Music) Justin London (Carleton College) Ann McNamee (Swarthmore College)

Reviews Editor Consulting Editors

Brian Alegant Bo Alphonce Thomas Mathiesen (McGill University) Jonathan Bernard Benito Rivera John Clough John Rothgeb Nicholas Cook Arvid Vollsnes Allen Forte Robert Wason Marianne Kielian-Gilbert Gary Wittlich Stephen Hinton

Manager Editorial Assistants Music Example Designer

Robert Judd Cindy Nicholson William Loewe Ralph Steffen Nicholas Blanchard All queries to the MTO General Editor or to the MTO Manager

1. Target Articles: Patrick McCreless, Contemporary Music Theory and the New Musicology: An Introduction; Scott Burnham, Theorists and "The Music Itself"; Marion Guck, Music Loving, Or the Relationship with the Piece; Joseph Dubiel, On Getting Deconstructed; Matthew Brown, Adrift on Neurath's Boat

Kofi Agawu, Analyzing Music under the New Musicological Regime (not yet available)

2. Communications

Editor's Message

Copyright Statement

[1] Music Theory Online(MTO) as a whole is Copyright © 1996, all rights reserved, by the Society for Music Theory, which is the owner of the journal. Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online

in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR].

It was authored by [FULL NAME, EMAIL ADDRESS],

with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.

This page prepared by
Lee A. Rothfarb, General Editor, MTO
Feb. 29, 1996

RJ 2/16/96