=== === ============= ==== === === == == == == == ==== == == = == ==== === == == == == == == == = == == == == == == == == == ==== M U S I C T H E O R Y O N L I N E A Publication of the Society for Music Theory Copyright (c) 1996 Society for Music Theory +-------------------------------------------------------------+ | Volume 2, Number 6 September, 1996 ISSN: 1067-3040 | +-------------------------------------------------------------+ All queries to: mto-editor@boethius.music.ucsb.edu or to mto-manager@boethius.music.ucsb.edu +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ File: mto.96.2.6.ads 1. Integral 2. Music Theory Spectrum 18.2 (fall 1996) =============================================== INTEGRAL Integral is a juried periodical of articles and reviews on theory, analysis, criticism, and their relationship to composition an performance. It is published annually during the summer by graduate theory students at the Eastman School of Music. Volumes 1-8 include articles and reviews by: Bo Alphonce Robert S. Hatten David Beach Kevin Korsyn Matthew Brown J. Phillip Lambert Allen Cadwallader Elizabeth West Marvin Howard Cinnamon Patrick McCreless Richard Cohn Andrew Mead Edward T. Cone Robert Morris Warren Darcy Massimo Ossi Cynthia J. Folio Alexandra Pierce Richard Kurth Gregory Proctor Robert Gauldin Marie Rolf Robert Gjerdingen William Rothstein Douglass Green Robert Wason Daniel Harrison Mary Wennerstrom Subscriptions and Back Issues $12 individuals $10 students $16 institutions Outside North America, please add $4.00 postage Checks (in U.S. dollars) should be made payable to Integral Please allow four to six weeks for delivery Back Issues: Volumes 1-9 $84 individuals $70 students $112 instituttions Send subscription requests to: Subscriptions Manager, Integral Eastman School of Music 26 Gibbs Street Rochester, New York 14604 ------------------------------------ Music Theory Spectrum The Journal of the Society for Music Theory Joel Lester, editor Contents of Volume 18, No. 2 (Fall, 1996): Brian Alegant Unveiling Schoenberg's op. 33b Ethan Haimo Atonality, Analysis, and the Intentional Fallacy Martha M. Hyde Neoclassic and Anachronistic Impulses in Twentieth-Century Music Timothy A. Johnson Chromatic Quotations of Diatonic Tunes in Songs of Charles Ives Herbert Schneider Review of Thomas Christensen. Rameau and Musical Thought in the Enlightenment David W. Bernstein Review of James Pritchett. The Music of John Cage Music Theory Spectrum is sent to all current members of the Society for Music Theory. Regular membership dues: $45 per year, $55 for dual members (two members at the same address; one copy of mailings), $20 for student members, $30 for dual student members (two student members at the same address; one copy of mailings), and $30 for emeritus members. Libraries and other institutions subscribe at the rate of $48 per year. Kindly add $15 per year for subscriptions outside of North America. Applications for membership and available back issues may be addressed to Cynthia Folio, Treasurer SMT Esther Boyer College of Music Temple University Philadelphia, PA 19122 +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ Copyright Statement [1] *Music Theory Online* (*MTO*) as a whole is Copyright (c) 1996, all rights reserved, by the Society for Music Theory, which is the owner of the journal. Copyrights for individual items published in (*MTO*) are held by their authors. Items appearing in *MTO* may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may *not* be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of *MTO*. [2] Any redistributed form of items published in *MTO* must include the following information in a form appropriate to the medium in which the items are to appear: This item appeared in *Music Theory Online* in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here. [3] Libraries may archive issues of *MTO* in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of *MTO*, who will act in accordance with the decisions of the Society for Music Theory. +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ END OF *MTO* ITEM