Volume 3 Number 1, January 1997

Copyright © 1997 Society for Music Theory


Editor’s Message

Article

The Bridges that Never Were: Schenker on the Contrapuntal Origin of the Triad and Seventh Chord
3.1.1
        Eytan Agmon (Bar-Ilan University)

Reviews

Review of Nicolas Marston, Beethoven’s Piano Sonata in E, op. 109 (Clarendon Press, 1995)
3.1.2
        Michael Friedmann (Yale University)
Review of Raymond Erickson trans., and Claude V. Palisca ed., Musica Enchiriadis and Scolica Enchiriadis (Yale University Press, 1995)
3.1.3
        Sarah Fuller (SUNY at Stony Brook)

Conference Report

Music Theory at the Amsterdam School of Music
3.1.4
        Andre M. Douw (Amsterdam School of the Arts)
        Michiel C. Schuijer (University of Utrecht)




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