=== === ============= ==== === === == == == == == ==== == == = == ==== === == == == == == == == = == == == == == == == == == ==== M U S I C T H E O R Y O N L I N E A Publication of the Society for Music Theory Copyright (c) 1998 Society for Music Theory +-----------------------------------------------------------+ | Volume 4, Number 3 May, 1998 ISSN: 1067-3040 | +-----------------------------------------------------------+ All queries to: mto-editor@smt.ucsb.edu or to mto-manager@smt.ucsb.edu +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ File: mto.98.4.3.ann 1. Mailing list for Central and East European Music 2. New Directions in Josquin Scholarship 3. Amazing Maze 4. Rethinking Interpretive Traditions in Musicology 5. GAMUT Journal ===================== Mailing list for Central and East European Music You are invited to join a new list for Central and East European Music, which has been opened within the Mailbase group of lists by Ann Buckley of Cambridge University. The following is an extract from the introduction file to the list: "This list exists in order to communicate ideas and engage in discussion on musicological research on Central and Eastern Europe. Musicology is here defined in the widest sense to include historical musicology, theory, analysis, criticism, ethnomusicology, sociology, iconography, organology, and interdisciplinary studies which include a music component. We welcome participation in this list from all who study any aspect of music, past or present, in which the primary focus is on regions to the east of a line running roughly north-south from Germany to the Adriatic." To join, send a one-line message, no header: join centr-and-east-euro-music Firstname Familyname (putting in your real name instead of Firstname Familyname), to the following address: mailbase@mailbase.ac.uk Geoffrey Chew Music Department, Royal Holloway College (University of London) Internet: chew@sun.rhbnc.ac.uk ----------------------- New Directions in Josquin Scholarship Princeton University 29-31 October 1999 Contributions are invited for a three-day conference on Josquin des Prez (d.1521) to be held at Princeton University on 29-31 October 1999. In addition to discussion sessions and round tables, the event will feature a concert and a workshop on performance-related issues with The Binchois Consort directed by Andrew Kirkman. The conference will take place six days before the National Meeting of the American Musicological Society (Kansas City, Missouri, 4-7 November 1999). The aim of the conference is to provide a forum for new directions in Josquin scholarship. No restrictions are imposed on what these might be, but studies from the perspective of fifteenth- and sixteenth-century cultural history, and/or involving interdisciplinary approaches (gender studies, critical theory), are especially welcome. Possible topics include, but are by no means limited to, the following: o reader- and listener-oriented interpretations of music by Josquin o Josquin's audience: horizons of expectation, interpretive strategies, repertories o Josquin and contemporary musical aesthetics o Josquin and the concept of musical genius o Josquin and contemporary music-historical awareness o Josquin and the emergence of "the composer's anecdote" o "doubtful" and "spurious" compositions: what do they tell us about perceptions of Josquin? o Josquin and contemporary views on the musical work, authorship, canon, and attribution o Josquin and music historiography from the eighteenth century to the present o Josquin and cultural politics - today and in the past *** DEADLINE FOR ABSTRACTS: 1 July 1998 *** WWW site for information and updates: http://www.princeton.edu/~rwegman/josquin.html Please direct all queries and communications to: Rob C. Wegman, Department of Music, Woolworth Center of Musical Studies, Princeton University, Princeton, NJ 08544, USA voice (609) 258 4248; dept (609) 258 4241; fax (609) 258 6793 email --------------------------------------- Amazing Maze AMAZING MAZE, an infinite realtime composition for sampled sound particles is currently broadcasted as a permanent self-generating sound installation on the "Algorithmic Stream", a project of Maurice Methot and Hector Laplante. Please point your browser to: http://www.essl.at/works/amazing.html Enjoy! Dr. Karlheinz Essl - Composer Vienna / Austria Studio for Advanced Music & Media Technology http://www.essl.at/ ----------------------- Rethinking Interpretive Traditions in Musicology Tel Aviv University, Department of Musicology Conference Announcement and Call for Papers 7-9 JUNE 1999 The last decade has witnessed a thorough re-examination and reconsideration of the aims, subject matters, and methodologies of the scholarly investigation of music. To celebrate its 30th anniversary, the Department of Musicology at Tel Aviv University is planning an international conference that will attempt to take stock of and to further contribute to this re-examination. The three-day conference will be held at the university between Monday, June 7 and Wednesday, June 9 1999. We welcome contributions from scholars (including historical musicologists, music theorists, and ethnomusicologists) addressing these recent challenges or exemplifying their impact on a specific field or topic of research. Abstracts (approximately 500 words) should be e-mailed before January 15,1999 to Zohar Eitan, zeitan@ccsg.tau.ac.il. Abstracts containing music examples or other figures may be snail-mailed to the Department of Musicology (attn.: conference), Tel Aviv University, Ramat Aviv, Tel Aviv, Israel 69978. Dr. Zohar Eitan Department of Musicology, Tel Aviv University Tel Aviv, Israel 69978 Tel.: 972-9-9559072(H) 972-3-6408332(W) Fax: 972-3-6407358 (W) E-mail: zeitan@ccsg.tau.ac.il ------------------------------ GAMUT Jounral The Georgia Association of Music Theorists is pleased to announce the publication of GAMUT Volume 8. The contents include: ARTICLES Music Theory and Learning in the Digital Age Gary Wittlich (Indiana University) Two Unpublished Manuscripts: Excerpts from Arnold Schoenberg's Second Book on Harmony and His Text on Performance Severine Neff (University of North Carolina at Chapel Hill) Comparing Pitch Hierarchies in Schenkerian and Koch-Based Analyses: Rationale, Method, and Correlations Richard Williamson (Anderson College, South Carolina) Rhythmic Dissonance as Motion Propellant in Brahms's Intermezzo in A-flat Gabe Fankhauser (Florida State University) REPORT Student CD-ROM Portfolios and Nontraditional Assessment Techniques: Using a Music Theory Project for Abilities-Based Assessment Sara Hagen (Valley City State University, North Dakota) REVIEW Jeffrey Johnson: Thesaurus of Abstract Musical Properties: A Theoretical and Compositional Resource Yayoi Uno (University of Colorado, Boulder) The subscription price is $10.00. If you wish to subscribe, please send a check payable to GAMUT to Kristin Wendland, GAMUT Editor, at the address below. REMINDER OF SUBMISSION DEADLINE FOR VOLUME 9 GAMUT welcomes articles dealing with all aspects of music theory, including pedagogy, analysis, history, and book reviews. Contributors should submit four copies anonymously with an identifying cover letter and a short abstract of the article. Manuscripts should be double-spaced with 1-inch margins. Documentation must be complete. Musical examples, tables, and diagrams should be camera-ready. Copyright privileges, if required for publication, should be secured in advance. Submissions for Volume 9 should be postmarked by May 31, 1998. Articles dealing with theory and analysis of music outside the standard analytical canon are especially welcomed. The lead article for the forthcoming issue will be Robert Gauldin's recent keynote talk to the joint meeting of the Georgia Association of Music Theorists and Music Theory Southeast, "Some Personal Observations on Aural Skills." Address inquiries for subscriptions, manuscripts, proposals for reviews, or any other responses and communications to: Kristin Wendland 643 Delmar Ave. SE Atlanta, GA 30312 (404) 622-4891 kristin.wendland@mindspring.com +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ Copyright Statement [1] *Music Theory Online* (*MTO*) as a whole is Copyright (c) 1998, all rights reserved, by the Society for Music Theory, which is the owner of the journal. Copyrights for individual items published in (*MTO*) are held by their authors. 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