=== === ============= ==== === === == == == == == ==== == == = == ==== === == == == == == == == = == == == == == == == == == ==== M U S I C T H E O R Y O N L I N E A Publication of the Society for Music Theory Copyright (c) 1999 Society for Music Theory +-------------------------------------------------------------+ | Volume 5, Number 1 JANUARY, 1999 ISSN: 1067-3040 | +-------------------------------------------------------------+ All queries to: mto-editor@smt.ucsb.edu or to mto-manager@smt.ucsb.edu +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ File: mto.99.5.1.job Chicago Musical College, Roosevelt University, Music Theory Northern Arizona University, Music Theory Royal Holloway College (University of London), contemporary cultural studies University of Wisconsin-Whitewater, Cello and Music Theory Tel Aviv University, Ethnomusicology Memorial University of Newfoundland, Compostion/Theory =============== Chicago Musical College, Roosevelt University POSITION/RANK: Asst. Prof., Music Theory INSTITUTION: Chicago Musical College, Roosevelt University QUALIFICATIONS: Ph.D. in Music Theory. Competent classroom piano skills. Record of successful undergraduate teaching and of professional activity. Familiarity with relevant music technology. JOB DESCRIPTION/RESPONSIBILITIES: Teach undergraduate courses in basic musicianship (integrated written/aural skills) and more advanced subjects such as Form and Analysis and Counterpoint, with the possibility of teaching graduate level courses such as Schenkerian Analysis and Advanced Analytical Techniques. Assist students and other faculty in utilizing instructional technology in CAI laboratory. Service (advising, committee work) and continuing professionial activity expected. SALARY RANGE: Competitve ITEMS TO SEND: Please send a letter of application, curriculum vitae, and three letters of recommendation DEADLINE: January 15, 1999 [Editorial Note: Applications accepted until position is filled.] CONTACT: Linda Berna, Associate Dean Chicago Musical College Roosevelt University 430 South Michigan Ave Chicago, IL 60605-1394 --------------------- Northern Arizona University The begin review date for the theory/composition position at Northern Arizona University has been extended one month to February 10, 1999. Please see www2.nau.edu/~tas3/positions.html#theory for details. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tim Smith, D.M.A. Associate Prof. Music Theory, NAU Flagstaff, Az 86011-6040 Voice: (520) 523-8929 FAX: (520) 523-5111 WWW: http://jan.ucc.nau.edu/~tas3/ --------------------- Royal Holloway College (University of London) ROYAL HOLLOWAY University of London Department of Music LECTURESHIP IN MUSIC Applications are invited for a full-time established Lectureship in Music commencing in September 1999 with a special interest in contemporary cultural studies. This may involve expertise in one or more of the following: music post-1945 (whether art-, popular, Western or non-Western music); critical theory; new methodologies (regardless of period/repertory); music and the media; sociological/anthropological approaches to music; composition. The successful candidate will be expected to undertake research of international standing and to contribute to the undergraduate and postgraduate teaching of a flourishing Music Department rated 5* in the 1996 RAE. An ability to develop the Department's IT strategies will be an advantage. Salary will be on the Lecturer A scale, GBP 18789 - 23949 including London Allowance. Application forms and further particulars are available from the Personnel Office, Royal Holloway, University of London, Egham Surrey TW20 0EX; tel: +44(0)1784 443030; fax: +44(0)1784 473527; e-mail s.brewell@rhbnc.ac.uk. Informal enquiries may be made to Professor Tim Carter, tel: +44(0)1784 443532; fax: +44(0)1784 439441; e-mail: t.carter@rhbnc.ac.uk. Please quote reference MHA/447. Closing date for receipt of applications is 12 February 1999. Interviews will be held in mid March 1999. We positively welcome applications from all sections of the community. Geoffrey Chew Music Department, Royal Holloway College (University of London) Internet: chew@sun.rhbnc.ac.uk --------------------- University of Wisconsin-Whitewater, Cello and Music Theory CELLO and MUSIC THEORY (one position). Duties: teach studio cello, recruit string students and contribute to development of orchestra, perform solo recitals and chamber music, teach undergraduate music theory and/or aural skills courses. Other duties possible, appropriate to candidate's qualifications and department's needs. Participation in departmental and university activities is expected. Full-time, tenure-track position, assistant professor rank. Salary competitive. Doctorate required for tenure, ABD minimum for initial appointment. Send letter of application, vita, transcripts and 3 current letters of recommendation to: Dr. Frank Hanson, Cello/Theory Search, Department of Music, University of Wisconsin-Whitewater, Whitewater WI 53190. No tapes until requested. Deadline for application: January 31, 1999. UW-Whitewater is an AA/EEO employer. Women and minorities, Vietnam-era veterans and disabled persons are encouraged to apply. Names of applicants may be disclosed unless requested otherwise. Names of finalists will be released. [If you wish to e-mail a question to Dr. Hanson, he can be reached at ] --------------------- Tel Aviv University, Department of Musicology Tel Aviv University, Department of Musicology NOTICE OF FACULTY VACANCY Beginning October 1999 POSITION: Ethnomusicologist, full-time, tenure-track. Rank and salary commensurate with qualifications. QUALIFICATIONS: Ph.D. in ethnomusicology; record of publication in ethnomusicology or evidence of strong potential to publish; evidence of effective teaching. RESPONSIBILITIES: design undergraduate and graduate ethnomusicology programs; teach ethnomusicology courses at both undergraduate and graduate levels; direct graduate theses and dissertations. APPLICATION DEADLINE: January 31, 1999. Applications should include a curriculum vitae, samples of publications, and the names, phone numbers, and addresses of three references. Mail applications to Dr. Dorit Tanay, Department of Musicology, Tel Aviv University, Tel Aviv, Israel 69978. --------------------- NOTICE OF FACULTY VACANCY IN MUSIC (12-month sabbatical replacement) POSITION: 12-month term appointment at the rank of Lecturer or Assistant Professor, subject to budgetary approval. DUTIES: The ideal candidate will teach courses in composition and theory, including electronic music, as well as studio instruction in guitar. If we are unable to find a candidate with strong qualifications in all of these areas, we will consider candidates who can teach studio guitar and class instruction in two or three of the following areas: guitar techniques, popular music, form and analysis, 16th-century counterpoint, 20th-century harmony, materials of music, electronic music, composition, aural skills. QUALIFICATIONS: Minimum of master of music and successful teaching experience. APPOINTMENT DATE: 1 September 1999. SALARY: Salary dependent on qualifications and experience in accordance with the collective agreement. APPLICATION: Candidates should send letter of application, curriculum vitae, scores and tapes of three compositions (for candidates with expertise in this area), an audio cassette representative of their playing, and three letters of reference. Recent graduates should include academic transcripts. All candidates should ensure that their application includes information about their teaching. Applications should be sent to: Search Committee c/o Dr. Maureen Volk, Director School of Music Memorial University of Newfoundland St. John's, NF A1C 5S7 CLOSING DATE: 1 March 1999 or when position is filled. In accordance with Canadian immigration requirements, this ad is directed towards Canadian citizens and permanent residents of Canada. Memorial University is committed to employment equity. +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ Copyright Statement [1] *Music Theory Online* (*MTO*) as a whole is Copyright (c) 1999, all rights reserved, by the Society for Music Theory, which is the owner of the journal. Copyrights for individual items published in (*MTO*) are held by their authors. Items appearing in *MTO* may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may *not* be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of *MTO*. [2] Any redistributed form of items published in *MTO* must include the following information in a form appropriate to the medium in which the items are to appear: This item appeared in *Music Theory Online* in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here. [3] Libraries may archive issues of *MTO* in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of *MTO*, who will act in accordance with the decisions of the Society for Music Theory. +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ END OF *MTO* ITEM