Music Theory Online

MTO

The Online Journal of the Society for Music Theory


Volume 5, Number 2 March, 1999 ISSN 1067-3040
Copyright � 1999 Society for Music Theory


General Editor Editorial Board
Eric Isaacson (Indiana University) Henry Klumpenhouwer (University of Alberta)
Reviews Editor Catherine Nolan (University of Western Ontario)
Robert Gjerdingen (Northwestern University) Larry Zbikowski (University of Chicago)
mto-talk Manager MTO Manager
Jay Rahn (York University) Ichiro Fujinaga (Johns Hopkins University)

Full Personnel Listing

Direct all queries to the MTO General Editor or to the MTO Manager



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Table of Contents

1. Article

Stephen Soderberg, White Note Fantasy, Part II
[Frames] [No Frames]

2. Reviews

Diane Luchese, Review of Anthony Pople's Messiaen: Quatuor pour la fin du Temps (Cambridge: Cambridge University Press, 1998)

Peter J. Raschke, Review of Music-Theory Web Sites for the Beginner


3. Announcements


4. Employment


5. New Dissertations


6. New Books

Boydell & Brewer


7. Communications

Editor's Comments

Copyright Statement

[1] Music Theory Online (MTO) as a whole is Copyright � 1999, all rights reserved, by the Society for Music Theory, which is the owner of the journal. Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.


This page prepared by
Eric J. Isaacson, General Editor
20 June 2005