=== === ============= ==== === === == == == == == ==== == == = == ==== === == == == == == == == = == == == == == == == == == ==== M U S I C T H E O R Y O N L I N E A Publication of the Society for Music Theory Copyright (c) 1999 Society for Music Theory +-------------------------------------------------------------+ | Volume 5, Number 4 Septenber, 1999 ISSN: 1067-3040 | +-------------------------------------------------------------+ All queries to: mto-editor@smt.ucsb.edu or to mto-manager@smt.ucsb.edu +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ File: mto.99.5.4.ads ChordSymbol and CSTimes Fonts Integral =============== ChordSymbol and CSTimes Fonts The ChordSymbol and CSTimes music analysis fonts contain a wide variety of music analysis symbols, including roman numerals, three levels of figures and slashed figures, accidentals, careted scale degrees and other Schenkerian symbols, form symbols, and many more. The fonts are available for both Macintosh and Windows, in either TrueType or PostScript formats. Both fonts are useful in word- processing applications such as Microsoft Word, music notation applications such as Coda Finale, and any other application having a font menu. CSutility, a cross-platform variant of the ChordSymbol font specifically intended for use with multimedia development applications such as Macromedia Director, may also be licensed. A PDF flyer containing font samples and all necessary ordering information may be downloaded from John Clevenger's web site at , or a paper flyer can be mailed if necessary. Contact Information: John Clevenger Maestro Software 50 S. Patterson Ave., #203 Santa Barbara, CA 93111 E-mail: JClevESM@aol.com Telephone: (805) 964-7988 Web site: =============== Integral Integral is a juried periodical on music theory, analysis, criticism, and their relationship to composition and performance. It is published annually by the graduate theory students at the Eastman School of Music.Editorial board members include Kofi Agawu, David Beach, Allen Cadwallader, William Caplin, Michael Cherlin, John Covach, Robert Gjerdingen, Patrick McCreless, Andrew Mead, Benito Rivera, and Robert Wason. Volume 12 (forthcoming 1999) MÁRTA GRABÓCZ The Application of A. J. Greimas's Structural Semantics to the Analysis of Sonata Form Klumpenhouwer Network Symposium: EDWARD GOLLIN Some Unusual Transformations in Bartók's 'Minor Seconds, Major Sevenths' H. KLUMPENHOUWER The Inner and Outer Isomorphisms of Pitch- Class Inversion and Transposition: Some Implications for Analysis with Klumpernhouwer Networks SHAUGN O'DONNELL Klumpenhouwer Networks, Isography, and the Molecular Metaphor JOEL GALAND Review of recent books on Classical form by William Caplin, and Nicholas Cook. MARTHA HYDE Review of The Music of Ruth Crawford Seeger by Joseph Straus Volume 13 (forthcoming 2000) DAVID CARSON BERRY Dynamic Introductions: The Affective Role of Melodic Ascent and Other Linear Devices in Selected Song Verses of Irving Berlin DAVID CLAMPITT Ramsey Theory, Unary Transformations and Webern's Op. 5, No. 4 JOHN DOERKSEN Comparing Collections of Set-Classes: Indexes in Forte's Genera Theory DAVID SMYTH Beethoven's Last Bagatelle DAVID GAGNE Review of Unfoldings by Carl Schachter GUY CAPUZZO Review of The Music of Elliott Carter, 2nd ed., by David Schiff View our index of back issues on-line at http://theory.esm.rochester.edu/integral Subscription Information Single volume: $14 ($12 for students, $18 for institutions) Back issues (vols. 1-10): $12 ($10 for students, $16 for institutions) Complete back issues: $108 ($90 for students, $144 for institutions) Prepayment of orders is appreciated but not required. Checks (in U.S. dollars) should be made payable to Integral. Outside North America, please add $4.00 postage per volume (up to $12.00). Please allow 4-6 weeks for delivery. Send subscription requests to: Subscriptions Manager, Integral Eastman School of Music 26 Gibbs Street, Rochester, NY, USA 14604 +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ Copyright Statement [1] *Music Theory Online* (*MTO*) as a whole is Copyright (c) 1999, all rights reserved, by the Society for Music Theory, which is the owner of the journal. Copyrights for individual items published in (*MTO*) are held by their authors. Items appearing in *MTO* may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may *not* be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of *MTO*. 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