Author |
Title |
Institution |
Completed |
Cobb, Nathan A
| Synthesis at the Frontiers: Kaija Saariaho and the Formation of a Practice | University of California, Santa Barbara | September 2024 | Kahrs, Noah L
| Composing (with) Theories of Acoustics and Pitch Perception After 1950 | Eastman School of Music | February 2024 | Kinne, Jesse
| Tresillo Rhythms as Groove Schemata | University of Cincinnati | July 2023 | Nelson, Thomas K.
| The Fantasy of Absolute Music | University of Minnesota | June 1998 | Wu, Yi-Cheng Daniel
| Reflection and Representation: A Unitary Theory of Voice Leading and Musical Contour in 20th-Century Atonal and Serial Contrapuntal Music | University at Buffalo | June 2012 |