|
Music Theory Online
A Journal of Criticism,
Commentary, Research, and Scholarship
ISSN 1067-3040
|
Volume 7, Number 6, December 2001
Copyright � 2001 Society for
Music Theory
Please note: To post to mto-talk, you must first
subscribe to
the mto and mto-talk lists
Table of Contents
|
Editor's Comments
|
Article
|
Mark J. Butler (Indiana University)
"Turning the Beat Around: Reinterpretation,
Metrical Dissonance, and Asymmetry in Electronic Dance Music"
[With Frames]
[Without Frames]
|
|
Employment Opportunities |
- Ball State University, Assistant Professor, Music
Theory/Composition and Assistant Director, Engineering and Technology Program
- Baylor University, Assistant Professor and Lecturer,
Music Theory (Two Positions)
- Columbia University, Assistant Professor, Music
Theory
- DePauw University, Music Theory
- Eastman School of Music, Music Theory (Two Positions)
- Florida State University, Assistant Professor, Music
Theory (Two Positions)
- Florida State University, Assistant Professor, Composition
- University of Lethbridge, Assistant Professor,
Composition/Theory
- Loyola University, Assistant Professor, Music History
- University of Massachusetts at Amherst, Music Theory
- University of Minnesota, Assistant Professor,
Composition
- University of Minnesota, Assistant Professor,
Music Theory
- New England Conservatory, Full-time Position in Music
Theory
- North Carolina School of the Arts, Instructor and
Coordinator, Music Theory
- University of Ottawa, Assistant Professor, Music Theory
- Peabody Conservatory of Music, Full-time Position,
Music Theory
- University of St. Thomas, Tenure Track Music Faculty
- Texas A&M University, Assistant Professor, Music
Theory
- University of Wisconsin-Oshkosh, Assistant Professor,
Music Theory
|
New Books |
|
|
Book Review
|
Walter T. Everett (University of
Michigan)
Review of Richard Middleton, ed., Reading
Pop: Approaches to Textual Analysis in Popular Music (Oxford:
Oxford University Press, 2000)
[With
Frames] [Without Frames]
|
|
Announcements
|
|
|
Please direct all queries to the
MTO Editor or
to the MTO Manager
|
|
MTO PERSONNEL |
Editor |
Eric Isaacson (Indiana
University) |
Editorial
Board |
|
Reviews Editor
|
Jane Piper Clendinning (Florida State University) |
|
Jack Boss (University of Oregon)
|
Patrick McCreless (Yale University) |
|
mto-talk
Manager |
Catherine Nolan (University of Western
Ontario) |
|
Jay Rahn
(York University)
|
John Snyder (University of Houston) |
|
MTO Manager
|
Larry Zbikowski (University of Chicago) |
|
Ichiro Fujinaga (Johns Hopkins University)
|
Full Personnel
Listing |
|
Copyright Statement
Copyright � 2001 by the Society for Music Theory.
All rights reserved.
[1] Copyrights for individual items published in MTO are held by their
authors. Items appearing in MTO may be saved and stored in electronic or
paper form, and may be shared among individuals for purposes of scholarly research
or discussion, but may not be republished in any form, electronic or print,
without prior, written permission from the author(s), and advance notification of
the editors of MTO.
[2] Any redistributed form of items published in MTO must include the
following information in a form appropriate to the medium in which the items are
to appear:
This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on
[DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written
permission it is reprinted here.
[3] Libraries may archive issues of MTO in electronic or paper form for
public access so long as each issue is stored in its entirety, and no access fee
is charged. Exceptions to these requirements must be approved in writing by the
editors of MTO, who will act in accordance with the decisions of the Society
for Music Theory.
This page prepared by
Eric J. Isaacson, Editor
18 November 2002