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Articles |
Lori Burns
(University of Ottawa) |
Feeling the Style: Vocal Gesture and Musical Expression in
Billie Holiday, Bessie Smith, and Louis Armstrong
[With Frames] [Without
Frames] |
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Daphne Leong and David Korevaar
(University of Colorado at Boulder) |
The Performer's Voice: Performance and Analysis in
Ravel's Concerto pour la main gauche
[With Frames] [Without
Frames] |
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Employment
Opportunities
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New Dissertations
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Ricci, Adam. "A Theory of the Harmonic Sequence."
Eastman School of Music, University of Rochester, May 2004.
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Kizas, Andrew J. "From Octatonicism to Dodecaphony: A
Study of Pitch Organization in Selected Works by Donald Martino." University
of Western Ontario, December 2004.
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Hibberd, Kristian P. G. "Shostakovich and Bakhtin: A
Critical Investigation of the Late Works (1974-1975)." Goldsmiths College,
University of London, June 2005.
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MTO PERSONNEL
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Editor |
mto-editor@societymusictheory.org
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Timothy
Koozin (University of Houston) |
Reviews Editor |
mto-reviews@societymusictheory.org |
Jack
Boss (University of Oregon) |
Editorial Board |
Marion Guck (University of Michigan) |
Julian
L. Hook (Indiana University) |
Rebecca Leydon
(Oberlin College) |
Andrew
Mead (University of Michigan) |
Richard
Parncutt (University of Graz, Austria) |
Peter Schubert (McGill University) |
Managing Editor |
Brent
Yorgason (Indiana University) |
List Managers |
Jay
Rahn (York University): mto-talk Manager |
Ichiro
Fujinaga (McGill University): MTO Manager |
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Copyright Statement
Copyright � 2005 by the Society for Music Theory.
All rights reserved.
[1] Copyrights for individual items published in MTO are held by their
authors. Items appearing in MTO may be saved and stored in electronic
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[2] Any redistributed form of items published in MTO must include the
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This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on
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Prepared by Brent Yorgason, Managing Editor
Updated
05 September 2005