MTO

Music Theory Online

ISSN 1067-3040

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Volume 11 Number 3, September 2005
Copyright � 2005 Society for Music Theory
Table of Contents

Articles

 
Lori Burns
(University of Ottawa)
Feeling the Style: Vocal Gesture and Musical Expression in
Billie Holiday, Bessie Smith, and Louis Armstrong
[With Frames] [Without Frames]
Thomas M. Fiore and Ramon Satyendra
(University of Chicago and University of Michigan)
Generalized Contextual Groups          
Daphne Leong and David Korevaar
(University of Colorado at Boulder)
The Performer's Voice: Performance and Analysis in
Ravel's Concerto pour la main gauche
[With Frames] [Without Frames]

Employment Opportunities

New Dissertations

  • Ricci, Adam. "A Theory of the Harmonic Sequence." Eastman School of Music, University of Rochester, May 2004.
  • Kizas, Andrew J. "From Octatonicism to Dodecaphony: A Study of Pitch Organization in Selected Works by Donald Martino." University of Western Ontario, December 2004.
  • Hibberd, Kristian P. G. "Shostakovich and Bakhtin: A Critical Investigation of the Late Works (1974-1975)." Goldsmiths College, University of London, June 2005.

Announcements

Calls for Papers

Conference Announcements

Journal-Related Announcements

Other Announcements

Please direct all queries to the MTO Editor or to the MTO Manager

MTO PERSONNEL
Editor
mto-editor@societymusictheory.org
Timothy Koozin (University of Houston)
Reviews Editor
mto-reviews@societymusictheory.org
Jack Boss (University of Oregon)
Editorial Board
Marion Guck (University of Michigan) Julian L. Hook (Indiana University)
Rebecca Leydon (Oberlin College) Andrew Mead (University of Michigan)
Richard Parncutt (University of Graz, Austria) Peter Schubert (McGill University)
Managing Editor
Brent Yorgason (Indiana University)
List Managers
Jay Rahn (York University): mto-talk Manager Ichiro Fujinaga (McGill University): MTO Manager

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Copyright Statement

Copyright � 2005 by the Society for Music Theory.
All rights reserved.

[1] Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

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Prepared by Brent Yorgason, Managing Editor
Updated 05 September 2005