| << Previous |
Deborah Mawer, Exploring Complementation in Bartók’s Third Quartet |
Next >> |
Example 4. Aspects of modal synthesis (Prima parte, mm. 1–6)
| << Previous |
Deborah Mawer, Exploring Complementation in Bartók’s Third Quartet |
Next >> |
Example 4. Aspects of modal synthesis (Prima parte, mm. 1–6)