Music Theory Online

General Editor                  Editorial Board
Lee Rothfarb          
(UC Santa Barbara)    David Headlam (Eastman School of Music)
                      Justin London (Carleton College)
                      Catherine Nolan (University of Western Ontario)

Reviews Editor                 Consulting Editors
Brian Alegant         Bo Alphonce               Thomas Mathiesen
(McGill University)   Jonathan Bernard          Benito Rivera
                      John Clough               John Rothgeb  
                      Nicholas Cook             Arvid Vollsnes
                      Allen Forte               Robert Wason
                      Marianne Kielian-Gilbert  Gary Wittlich
                      Stephen Hinton		   

MTO Correspondents
Per Broman, Sweden              Nicolas Meeus, Belgium, France
Peter Castine, Germany          Ken-ichi Sakakibara, Japan
Wai-ling Cheong, Hong Kong      Roberto Saltini, Brazil
Geoffrey Chew, England          Michiel Schuijer, Holland
Gerold W. Gruber, Austria       Uwe Seifert, Germany
Henry Klumpenhouwer, Canada     Arvid Vollsnes, Norway
					  
Manager                Editorial Assistants      Music Example Designer    MIDI Consultant
     
Robert Judd      Cindy Nicholson     William Loewe           David Patrick Watts
                 Ralph Steffen
                 Nicholas Blanchard

TABLE OF CONTENTS

1. Target Article

Stephen A. Taylor, Chopin, Pygmies, and Tempo Fugue: Ligeti's "Automne a Varsovie"
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2. Commentaries

Ethan T. Haimo, Linear Analysis--A Cure for Pitch-Class Set Analysis?: A Reply
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Michael W. Morse, To Rosemary Killam: An Open Letter and Reply
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3. Reviews

Anthony Pople, Review of David Epstein, Shaping Time: Music, the Brain, and Performance
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4. Announcements

Announcement of New Web Based OPAC From the British Library

Research Studentships, Royal Holloway, University of London

Music Theory Society of New York State: Annual Meeting

Georgia Association of Music Theorists

Tijdschrift voor Muziektheorie--New Issue

Computers, AI & Music Analysis Web Comunication Sessions

Cambridge University Music Analysis Conference 1997

5. Employment

The University of Western Ontario: Theory

The University of Western Ontario: Musicology

Bates College

Arnold Schoenberg Institute

6. New Dissertations

Cramer, Alfred W. Music for the Future: Sounds of Early Twentieth-Century Psychology and Language in Works of Schoenberg, Webern, and Berg, 1908 to the First World War

Crownfield, Elizabeth E. The Intellectual Backgrounds of Morley's Plaine and Easie Introduction

Leydon, Rebecca V. Narrative Strategies and Debussy's Late Style

Link, John, F. Long-Range Polyrhythms in Elliott Carter's Recent Music

7. New Books

University of California Press

Juliane Brand and Christopher Hailey, eds.Constructive Dissonance: Arnold Schoenberg and the Transformation of Twentieth-Century Culture

University of Nebraska Press

Dietrich Bartel, Musica Poetica: Musical-Rhetorical Figures in German Baroque Music

8. Advertisements

Integral, Volume 9

Journal of Music Theory, Volume 41.1

9. Communications

Editor's Message

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