Music Theory Online

General Editor	Editorial Board
Lee Rothfarb (UC Santa Barbara)	Henry Klumpenhouwer (University of Alberta)
	Justin London (Carleton College)
	Catherine Nolan (University of Western Ontario)

Reviews Editor	Consulting Editors
Robert Gjerdingen (Northwestern University)	Bo Alphonce	Richard Littlefield
	Jonathan Bernard	Thomas Mathiesen
	John Clough	Benito Rivera
	Nicholas Cook	John Rothgeb
	Allen Forte	Arvid Vollsnes
	Stephen Hinton	Robert Wason
	Marianne Kielian-Gilbert	Gary Wittlich

MTO Correspondents
Per F. Broman, Sweden	Nicolas Meeus, Belgium, France
Peter Castine, Germany	Ken-ichi Sakakibara, Japan
Wai-ling Cheong, Hong Kong	Roberto Saltini, Brazil
Geoffrey Chew, England	Michiel Schuijer, Holland
Gerold W. Gruber, Austria	Uwe Seifert, Germany
Henry Klumpenhouwer, Canada	Arvid Vollsnes, Norway
Marco Renoldi, Italy

Manager	Editorial Assistants	Music Example Designer	MIDI Consultant
Ichiro Fujinaga	Cindy Nicholson	William Loewe	David Patrick Watts
	Martin Steffen
	Nicholas Blanchard
	Jon Koriagin

All queries to the MTO General Editor or to the MTO Manager

TABLE OF CONTENTS

1. Target Articles

The essays in this issue of MTO were delivered as lectures on Saturday, November 1, 1998, at SMT's annual meeting, in a Plenary Session entitled "Music Theory: Practices and Prospects." They have been edited for publication.

Joseph N. Straus, SMT 1997 Plenary Session: Introductory Remarks
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Robert D. Morris, Introduction to Panorama of Music Theory, 1987-97
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Patrick McCreless, Music Theory as Community: A Perspective from the Late '90's
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Judith I. Lochhead, Retooling the Technique
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Richard Cohn, Music Theory's New Pedagogability
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Joel Lester, How Theorists Relate To Musicians
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Janet Schmalfeldt, On Keeping the Score
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2. Review

Wayne Alpern, Review Article, "Will the Real Anton Webern Please Stand Up?": Anne C. Shreffler, Webern and the Lyric Impulse (Oxford, Oxford University Press: 1994)
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3. Announcements

Milton Babbitt Symposium

Digital Soundscapes Computer Music Workshops

Alamire Foundation Congress on Chant and Polyphony

Research Studentships: University of Limerick (Limerick, Ireland)

Oerebro Chamber Music Festival: Kammarmusikpriset 1998

Tenth International Conference on Ninteenth-Century Music

New issue of the Tijdschrift voor Muziektheorie

New German Mailing List for Musicology

The School and Schooling of Stefan Wolpe

The Mannes College of Music Schenker Symposium

International Alliance for Women in Music (IAWM)

4. Employment

The Pingry School, Instrumental Music/Theory

McGill University, Lecturer in Theory

University of Massachusetts, Amherst, Visiting Scholar

5. New Dissertations

Theodore E. Buehrer, "An Alternative Pedagogical Paradigm for Aural Skills: An Examination of Constructivist Learning Theory and its Potential for Implementation into Aural Skills Curricula," Indiana University, 1998.

Lane Igoudin, "Impact of MIDI on Electroacoustic Art Music," Stanford University, 1997.

Wacker, Lori J. "Rhythmic and Motivic Procedures in Selected Late Works of S.C. Eckhardt-Gramatte," Indiana University, 1999 (projected).

6. New Books

Cornell University Press

Jenefer Robinson, ed., Music and Meaning

Jerrold Levinson, The Pleasure of Aesthetics: Philosophical Essays

Harvard University Press

Jeffrey Kallberg, Chopin at the Boundaries: Sex, History, and Musical Genre

Harwood Academic Press

Adam Krims, ed., Music and Ideology: Resisting the Aesthetic, with commentary by Henry Klumpenhouwer

David Nicholls, ed., The Whole World of Music: A Henry Cowell Symposium

Valeria Tsenova, ed., Underground Music from the Former USSR

Princeton University Press

Charles Dill, Monstrous Opera: Rameau and the Tragic Tradition

Kenneth Levy, Gregorian Chant and the Carolingians

Leslie David Blasius, The Music Theory of Godfrey Winham

University of California Press

Judit Frigyesi, Bela Bartok and Turn-of-the-Century Budapest

University of Nebrasks Press

Michael Marissen, ed., Bach Perspectives 3: Creative Responses to the Music of J.S. Bach from Mozart to Hindemith

Glenn Stanley, ed., Beethoven Forum 6

7. Communications

Editor's Message

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