=== === ============= ==== === === == == == == == ==== == == = == ==== === == == == == == == == = == == == == == == == == == ==== M U S I C T H E O R Y O N L I N E A Publication of the Society for Music Theory Copyright (c) 1999 Society for Music Theory +-------------------------------------------------------------+ | Volume 5, Number 2 MARCH, 1999 ISSN: 1067-3040 | +-------------------------------------------------------------+ All queries to: mto-editor@smt.ucsb.edu or to mto-manager@smt.ucsb.edu +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ File: comm.txt Editor's Message With this issue, production of Music Theory Online moves fully to Indiana University.  I am pleased to welcome Brent Yorgason, Art Samplaski, Michael Toler, and Elisabeth Honn as Editorial Assistants.  For their willingness to assume these new responsibilities I am grateful.  Physically, MTO will continue to reside on the Boethius server at the University of California--Santa Barbara. Allow me to remind subscribers that Music Theory Online accepts submissions on any topic of interest to the music theory community.  Submissions that take advantage of the special multimedia opportunities afforded by the online format of MTO are especially encouraged, but that is by no means required.  For those who may feel intimidated by the process of submitting manuscripts electronically, I hope to develop new guidelines and procedures during the summer to make it easier to do so.  Review of submissions can normally be completed within four weeks, with publication possible in most cases within three or four months of acceptance.  Researchers are welcome to contact me to discuss ideas for special projects. Eric J. Isaacson, General Editor Music Theory Online School of Music Indiana University Bloomington, IN 47405 U.S.A. mto-editor@smt.ucsb.edu voice: (812) 855-0296 (with voice mail) fax: (812) 855-4936 +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ Copyright Statement [1] *Music Theory Online* (*MTO*) as a whole is Copyright (c) 1999, all rights reserved, by the Society for Music Theory, which is the owner of the journal. Copyrights for individual items published in (*MTO*) are held by their authors. Items appearing in *MTO* may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may *not* be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of *MTO*. [2] Any redistributed form of items published in *MTO* must include the following information in a form appropriate to the medium in which the items are to appear: This item appeared in *Music Theory Online* in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here. [3] Libraries may archive issues of *MTO* in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of *MTO*, who will act in accordance with the decisions of the Society for Music Theory. +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ END OF *MTO* ITEM