| Author |
Title |
Institution |
Completed |
Babyak, Tekla B
| Nietzsche, Debussy, and the Shadow of Wagner | Cornell University | May 2014 | Barna, Alyssa
| Examining Contrast in Popular and Rock Music | Eastman School of Music | June 2019 | Donaldson, James
| Topics, Form, and Expression in the Music of György Ligeti and Thomas Adès | McGill University | May 2021 | Evans, James E.
| Fluid Dynamics: Representations of Water in Music | University of Kentucky | February 2021 | Ferguson, Brent A
| Intertextuality in Movie Music Videos | University of Kansas | June 2020 | Ferrandino, Matthew
| A Narratology of Music Video | University of Kansas | March 2021 | Fitzpatrick, Jacob D
| Stravinsky, Balanchine, and Agon: An Intersection of Musical Movement and Dance | University of Wisconsin-Madison | April 2020 | Hosken, Fred
| The Pocket: A Theory of Beats as Domains | Northwestern University | August 2021 | Lawrence, John Y.
| Listening in Color: Sonority, Style, and Meaning in Europe 1760–1830 | University of Chicago | August 2020 | Momii, Toru
| Music Analysis and the Politics of Knowledge Production : Interculturality in the Music of Honjoh Hidejirō, Miyata Mayumi, and Mitski | Columbia University | July 2021 | Obluda, Daniel C
| Topics in Hollywood Scores: Using Topic Theory to Expand on Recent Neo-Riemannian Analyses of Film Music | University of Colorado Boulder | May 2021 | Prosser, Simon KS
| A Schema-Theoretic Approach to Hierarchy in Eighteenth-Century Tonality | The Graduate Center, The City University of New York | May 2021 | Pymm, John M
| Narrative Trails in the Speech-Based Music of Steve Reich | University of Southampton | July 2013 | Roy, Adam J.
| Motivic Metamorphosis: Modelling Intervallic Transformations in Schoenberg’s Early Works | Western University | February 2021 | Sivy, Robert J.
| Exposing Corruption in Progressive Rock: A Semiotic Analysis of Gentle Giant's The Power and the Glory | University of Kentucky | November 2019 | Steven D. Mathews
| Getting to the Crux: The Inner/Outer-Form Dynamic and the Type 2 Sonata in Select Symphonic Movements by Mozart, Haydn, and J. C. Bach | University of Cincinnati | March 2021 | Syroyid Syroyid, Bohdan
| Analysis of Silences in Music: Theoretical Perspectives, Analytical Examples from Twentieth-Century Music, and In-Depth Case Study of Webern’s Op. 27/iii
| KU Leuven | July 2020 | Williams, Matt
| Beethoven’s Egmont, Count Egmont: An Imaginary Reading of Beethoven’s Overture | SUNY - University at Buffalo | February 2021 |
