| Author |
Title |
Institution |
Completed |
Cannon-Brown, Lee
| Ultramodernism in Global Musical Thought, 1900–1950 | Harvard University | April 2025 | Cobb, Nathan A
| Synthesis at the Frontiers: Kaija Saariaho and the Formation of a Practice | University of California, Santa Barbara | September 2024 | Härpfer, Bernd
| The Metric Malleability and Ambiguity of Cyclic Rhythms | University of Music, Karlsruhe, Germany | September 2020 | Lloyd, Zachary R
| From Stereotypes to Nuance: Representations of Male Queerness in Two Musicals by Jeanine Tesori | Florida State University | May 2024 | Nelson, Thomas K.
| The Fantasy of Absolute Music | University of Minnesota | June 1998 | Park, Jinny
| Diatonic Chord Loops in Post-Millennial Pop Harmony | Indiana University | May 2025 | Wu, Yi-Cheng Daniel
| Reflection and Representation: A Unitary Theory of Voice Leading and Musical Contour in 20th-Century Atonal and Serial Contrapuntal Music | University at Buffalo | June 2012 |
