| Author |
Title |
Institution |
Completed |
Acevedo, Stefanie
| Harmonic Schemata of Popular Music: An Empirical Investigation of Analytical Patterns and their Mental Representations | Yale University | May 2020 | Adams, Kyle
| A New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century | CUNY Graduate Center | September 2006 | Baker, David J
| Modeling Melodic Dictation | Louisiana State University | August 2019 | Baysal, Ozan
| Phrase Rhythm and Time in Beste-i Kadims - A Cyclical Approach | Istanbul Technical University | October 2011 | Falch, Niels
| From Oy to Joy: Jewish Musical Style in American Popular Songs, 1892-1945 | University of Groningen | May 2020 | Geary, David
| Analyzing Drums and Other Beats in Twenty-First Century Popular Music | Indiana University | December 2019 | Guez, Jonathan
| Schubert's Recapitulation Scripts | Yale University | March 2015 | Hannaford, Marc E
| One Line, Many Views: Perspectives on Music Theory, Composition, and Improvisation through the Work of Muhal Richard Abrams | Columbia University | June 2019 | Hoch, Matthew
| "The Structural and Dramatic Role of the Piano in Richard Strauss's Krämerspiegel, Op. 66" | New England Conservatory | December 2006 | Hudson, Stephen S.
| Feeling Beats and Experiencing Motion: A Construction-Based Theory of Meter | Northwestern University | May 2019 | Jedlicka, Jason R.
| Interpreting Steve Reich's Later Music (2007-2012) | Indiana University | November 2018 | Kovaciny, Stephen M.
| Chabanon, Rameau, and the Listening Body in Early Modern France | University of Wisconsin–Madison | November 2019 | Lam, Nathan L.
| RELATIVE DIATONIC MODALITY IN EXTENDED COMMON-PRACTICE MUSIC | Indiana University, Bloomington | July 2019 | Laurence Sinclair Willis
| When Materials Collide: Formal Interplay in Teernary Piano Works of the Late Nineteenth Century | McGill University | November 2019 | Lee, Dickie C.
| An Agential Exploration of Tragedy and Irony in Post-1945 Orchestral Works | Florida State University | March 2017 | Mayr, Desirée J
| The Identification of Developing Variation in Johannes Brahms OP.78 and Leopoldo Miguéz OP.14 Violin Sonatas Through Derivative Analysis
| Federal University of Rio de Janeiro | July 2018 | Moreira, Daniel
| TEXTURAL DESIGN: A Compositional Theory for the Organization of Musical Texture | Federal University of Rio de Janeiro | October 2019 | Morrison, Landon
| "Sounds, Signals, Signs: Transductive Currents in Post-Spectral Music at IRCAM" | McGill University, Schulich School of Music | January 2020 | Remeš, Derek K.
| Thoroughbass, Chorale, and Fugue: Teaching the Craft of Composition in J. S. Bach's Circle | Hochschule für Musik Freiburg (Germany) | July 2020 | Seltzer, Linda, A.
| The Unblinking Eye, Literary Theory in the Analysis of Debussy's Pelleas et Melisande | Princeton University | unspecified | Siu, Joseph Chi-Sing
| Phrase-Rhythmic Norms in Haydn’s and Mozart’s Piano Sonata Expositions | Eastman School of Music | April 2020 | Smither, Sean R
| Conceptualizing Tunes: Avant-textes, Referents, and the Analysis of Musical Structure in Jazz | Rutgers University | May 2020 | Warrenburg, Lindsay A.
| Subtle Semblances of Sorrow: Exploring Music, Emotional Theory, and Methodology | Ohio State University | December 2019 | White, Christopher Wm.
| Some Statistical Properties of Tonality, 1650-1900 | Yale University | May 2014 |
