| Author |
Title |
Institution |
Completed |
Adams, George W
| Listening to Conceptual Music: Technology, Culture, Analysis | University of Chicago | May 2019 | Antonella Di Giulio
| Mapping Contemporary Works:
a Semiotic and Linguistic Approach to Music Analysis | University at Buffalo | August 2021 | Boyd, Clifton
| Keep It Barbershop: Stylistic Preservation and Whiteness in the Barbershop Harmony Society | Yale University | May 2022 | Daly, Timothy P.
| From Counterpoint to Composition in the Early L’homme armé Mass | The University of Melbourne | September 2020 | Dobbs, Benjamin M.
| A Seventeenth-century Musiklehrbuch in Context: Heinrich Baryphonus and Heinrich Grimm’s Pleiades Musicae | University of North Texas | August 2015 | Freer, Nicholas
| Allan Holdsworth: Principles of Harmonic Organisation in Selected Compositions
| University of Melbourne | July 2022 | Helmcke, William M.
| Structure and Meaning in Fryderyk Chopin's Polonaises | University of Massachusetts Amherst | April 2022 | Liebermann, Alexander
| ERWIN SCHULHOFF (1894–1942): A Comparative Study of the Sonata for Violin and Piano, op. 7 (WV 24) and the
Sonata for Violin and Piano (WV 91)
| Manhattan School of Music | May 2022 | Lyons, Megan E.
| Unsung: A Corpus Study on the Art Songs of Amy Beach | University of Connecticut | May 2022 | Orosz, Jeremy W
| Translating Music Intelligibly:
Musical Paraphrase in the Long 20th Century | University of Minnesota | December 2013 | Reenan, Sam
| Analytical Problems of Aesthetics, Genre, and Large-Scale Form in Germanic Music, 1905–15 | Eastman School of Music, University of Rochester | May 2021 | Reymore, Lindsey
| Empirical approaches to timbre semantics as a foundation for musical analysis | Ohio State University | April 2020 | Whitelaw, Bryan A.
| Franz Liszt's Sonata Narratives: Large-Scale Forms at the Weimar Court | Queen's University Belfast | July 2021 | Wolfe, Daniel R
| Popular but Disparaged: Sonata Structures in Tchaikovsky’s Symphonies Four, Five, and Six | University of Houston | May 2020 |
