Author Index
| A | B | C
| D |
| E | F | G
| H |
| I | J | K
| L |
| M | N | O
| P |
| Q | R | S
| T |
| U | V | W | X |
| Y | Z |
rev.
17 October 2005
Brent Yorgason
|
|
AAAAA |
Type |
Title |
Vol./Issue |
Links |
Aarden, Bret and Hippel, Paul T. von
|
Article |
Rules for Chord Doubling (and Spacing): Which Ones Do We Need? |
10.2, 2004 |
HTML/Frames |
Aarden, Bret and Hippel, Paul T. von
|
Commentary |
Rules for Chord Doubling (and Spacing): A Reply To Wibberley |
10.3, 2004 |
HTML |
Agawu, Kofi |
Article |
Analyzing Music Under the New Musicological Regime |
2.4, 1996 |
HTML
ASCII |
Agawu, Kofi |
Article |
Response to 1999 SMT International Plenary Session |
6.1, 2000 |
HTML
ASCII |
Agmon, Eytan |
Commentary |
Conventional Harmonic Wisdom and the Scope of Schenkerian Theory: A
Reply to John Rothgeb (MTO 2.1) |
2.3, 1996 |
HTML
ASCII |
Agmon, Eytan |
Article |
Beethoven's Op. 81a and the Psychology of Loss |
2.4, 1996 |
HTML
ASCII |
Agmon, Eytan |
Article |
The Bridges that Never Were: Schenker on the Contrapuntal Origin of
the Triad and Seventh Chord |
3.1, 1997 |
HTML
ASCII |
Alpern, Wayne |
Review |
"Will the Real Anton Webern Please Stand Up?": Anne C. Shreffler,
Webern and the Lyric Impulse (Oxford, Oxford University Press: 1994) |
4.2, 1998 |
HTML/Frames
HTML
ASCII |
Alphonce, Bo H. |
Article |
Dissonance and Schumann's Reckless Counterpoint |
0.7, 1994 |
ASCII |
Anku, Willie |
Article |
Circles and Time: A Theory of Structural Organization of Rhythm in African
Music |
6.1, 2000 |
HTML/Frames
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ASCII |
BBBBB
|
Type |
Title |
Vol./Issue |
Links |
Barnes, Larry |
Review |
Review of J. Kent Williams,
Theories and Analyses of Twentieth-Century
Music |
3.4, 1997 |
HTML
ASCII |
Bass, Richard |
Review |
Review of David
Kopp, Chromatic Transformations in
Nineteenth-Century Music. Cambridge: Cambridge
University Press, 2002 |
10.1, 2004 |
HTML |
Benitez, Vincent P.
|
Article |
Simultaneous Contrast and Additive Designs in Olivier Messiaen’s
Opera, Saint François d’Assise |
8.2, 2002 |
HTML/Frames
HTML |
Bent, Margaret |
Commentary |
Diatonic ficta Revisited: Josquin's Ave Maria in Context
(MTO 2.5) |
2.6, 1996 |
HTML
ASCII |
Berman, Nancy M. |
Review |
Review of Glenn Watkins, Pyramids at the Louvre, Harvard University
Press, 1994 |
2.4, 1996 |
HTML
ASCII |
Berry, David Carson |
Review |
Review of Philip Furia, Irving Berlin: A Life In Song. New York:
Schirmer Books, 1998. |
6.5, 2000 |
HTML/Frames
HTML
ASCII |
Boss, Jack F. |
Article |
"Schenkerian-Schoenbergian Analysis" and Hidden Repetition in the Opening
Movement of Beethoven's Piano Sonata Op. 10, No. 1 |
5.1, 1999 |
HTML/Frames
HTML
ASCII |
Brinkman, Alexander, and Marvin, Elizabeth West |
Article |
Using the Tools to Teach the Tools: Teaching Multimedia Programming
in Music Curricula |
3.5, 1997 |
HTML/Frames
HTML
ASCII |
Broman, Per F. |
International Report |
Report from the Three Seminars on Contemporary Music with Connection
to the ISCM World Music Days in Copenhagen, 1996 |
2.6, 1996 |
HTML
ASCII |
Broman, Per F. |
International Report |
Report from the Third Triennial ESCOM Conference in Uppsala, Sweden,
7-12 June, 1997 |
3.4, 1997 |
HTML
ASCII |
Broman, Per F. |
International Report |
Report from the "Skagerack Network" Analysis Workshop at Lyseby Conference
Center in Oslo, Norway, November 20-23, 1997 |
4.1 1998 |
HTML/Frames
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ASCII |
Brown, Matthew |
Article |
Adrift on Neurath's Boat: The Case for a Naturalized Music Theory |
2.2, 1996 |
HTML
ASCII |
Browne, Richmond |
Article |
The Deep Background of our Society |
9.1, 3003 |
HTML |
Buhler, James |
Review |
Review of Roger Scruton,
The Aesthetics of Music |
5.3, 1999 |
HTML
ASCII |
Burnham, Scott |
Article |
Theorists and "The Music Itself" |
2.2, 1996 |
HTML
ASCII |
Burns, Lori and Woods, Alyssa
|
Article |
Authenticity, Appropriation, Signification: Tori Amos on Gender, Race, and Violence in Covers of Billie Holiday and Eminem
|
10.2, 2004 |
HTML
HTML/Frames |
Burns, Lori |
Article |
Feeling the Style: Vocal Gesture and Musical Expression in
Billie Holiday, Bessie Smith, and Louis Armstrong |
11.3, 2005 |
HTML
HTML/Frames |
Butler, Mark J. |
Article |
Turning the Beat Around: Reinterpretation, Metrical Dissonance, and
Asymmetry in Electronic Dance Music |
7.6, 2001 |
HTML/Frames
HTML |
CCCCC
|
Type |
Title |
Vol./Issue |
Links |
Callender, Clinton |
Article |
Continuous Transformations |
10.3, 2004 |
PDF |
Cantrick, Robert |
Commentary |
Commentary on Nicholas Cook, "Theorizing Musical Meaning," Music
Theory Spectrum 23/2 (2001) |
8.2, 2002 |
HTML |
Capuzzo, Guy |
Review |
Review of Robert D. Morris, Class Notes for Advanced Atonal
Music Theory (Lebanon, N.H.: Frog Peak Music, 2001)
Review of Robert D. Morris, Class Notes for Advanced Atonal
Music Theory (Lebanon, N.H.: Frog Peak Music, 2001) |
8.3, 2002 |
HTML |
Castine, Peter |
International Report |
Review of John Cage Symposium (Berlin, Germany) |
2.3, 1996 |
HTML
ASCII |
Castine, Peter |
International Report |
Review of "The Beginnings of Serial Music," Berlin, Germany, June 20-25,
1996 |
2.5, 1996 |
HTML
ASCII |
Cheong, Wai-Ling |
International Report |
Theory Reception in China: Report on Journals of Central Conservatory
and Shanghai Conservatory of Music |
3.4, 1997 |
HTML
ASCII |
Clampitt, David |
International Report |
Report: An International Symposium of Music and Mathematics (Bucharest,
Romania) |
1.1, 1995 |
ASCII |
Clendinning, Jane |
Review |
Review/Article of Miguel A. Roig-Francoli's Article "Harmonic and Formal
Processes in Ligeti's Net-Structure Compositions," Music Theory Spectrum
17/2 (Fall, 1995), 242-267. |
2.5, 1996 |
HTML
ASCII |
Cochrane, Richard J. |
Article |
The Phases of Fire |
1.1, 1995 |
ASCII |
Cochrane, Richard J. |
Commentary |
The Idea of Four Minutes and Thirty-Three Seconds: Response to John
Covach (MTO 0.11) |
1.1, 1995 |
ASCII |
Code, David Loberg |
Article |
Listening for Schubert's 'Doppelgaengers' |
1.4, 1995 |
HTML
ASCII |
Cohn, Richard |
Article |
Music Theory's New Pedagogability |
4.2, 1998 |
HTML/Frames
HTML
ASCII |
Cohn, Richard |
Article |
A
Tetrahedral Graph of Tetrachordal
Voice-Leading Space |
9.4, 2003 |
PDF/Frames
PDF |
Collins, Nick |
Article |
An Algorithm for the Direct Generation of Set Class Representatives
in Any Pitch Class Space |
10.3, 2004 |
PDF |
Cook, Nicholas |
Article |
Between Process and Product: Music and/as Performance |
7.2, 2001 |
HTML/Frames
HTML |
Cook, Nicholas |
Commentary |
Reply to Cantrick |
8.2, 2002 |
HTML |
Cook, Nicholas |
Article |
Prompting Performance: Text, Script, and Meaning in Bryn Harrison's
être-temps |
11.1, 2005 |
HTML/Frames
HTML |
Covach, John |
Article |
Destructuring Cartesian Dualism in Musical Analysis |
0.11, 1994 |
ASCII |
Covach, John |
Commentary |
Musical Worlds and the Metaphysics of Analysis |
1.1, 1995 |
ASCII |
Covach, John |
Article |
Schoenberg's Turn to an "Other" World |
1.5, 1995 |
ASCII |
Cramer, Alfred |
Article |
The Harmonic Function of the Altered
Octave in Early Atonal Music of Schoenberg and Webern: Demonstration
Using Auditory Streaming |
9.2, 2003 |
HTML/Frames HTML |
Cuciurean, John |
Review |
Review of Mark Lindley's and Ronald Turner-Smith's Mathematical Models
of Musical Scales: A New Approach. |
1.4, 1995 |
ASCII |
DDDDD
|
Type |
Title |
Vol./Issue |
Links |
Damschroder, David A. |
Review |
Review of Joseph N. Straus, ed, Unfoldings: Essays in Schenkerian
Theory and Analysis (Oxford: Oxford University Press, 1999) |
5.4, 1999 |
HTML
ASCII |
Dempster, Douglas |
Review |
Review of Peter Kivy's
The Fine Art of Repetition |
2.3, 1996 |
HTML
ASCII |
Demske, Thomas R. |
Article |
On Considering a Computational Model of Similarity Analysis |
1.2, 1995 |
ASCII |
Demske, Thomas R. |
Commentary |
Response to Parncutt (MTO 1.3) |
1.3, 1995 |
ASCII |
Demske, Thomas R. |
Commentary |
Response to Richard Hermann (MTO 1.3) |
1.4, 1995 |
ASCII |
Dibben, Nicola |
Review |
Review of Lawrence M. Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis
(New York: Oxford University Press, 2002) |
10.4, 2004 |
HTML |
Dineen, Murray |
Article |
Figured Bass and Modulation: The Wiener-Tonschule of Joseph Preindl |
8.3, 2002 |
HTML/Frames
HTML |
Dodson, Alan |
Article |
Performance and Hypermetric Transformation: An Extension of the
Lerdahl-Jackendoff Theory |
8.1, 2002 |
HTML/Frames
HTML |
Douw, Andre M. and Schuijer, Michiel C. |
International Report |
Music Theory at the Amsterdam School of Music |
3.1, 1997 |
HTML
ASCII |
Dubiel, Joseph |
Article |
Analysis, Description, and What Really Happens |
6.3, 2000 |
HTML
ASCII |
Dubiel, Joseph |
Article |
On Getting Deconstructed |
2.2, 1996 |
HTML
ASCII |
EEEEE
|
Type |
Title |
Vol./Issue |
Links |
Eckert, Stefan |
Article |
"So, you want to write a Minuet?" -- Historical Perspectives in
Teaching Theory |
11.1, 2005 |
HTML/Frames
HTML |
Eriksson, Tore |
International Report |
Four Swedish Dissertations in Music Theory |
5.3, 1999 |
HTML
ASCII |
Espinosa, Damian |
Review |
Review of Annette Richards, The Free Fantasia and the Musical
Picturesque. New Perspectives in Music History and Criticism |
10.3, 2004 |
HTML |
Everett, Walter T. |
Review |
Review of Richard Middleton, ed.,
Reading Pop: Approaches to Textual
Analysis in Popular Music |
7.6, 2001 |
HTML/Frames
HTML
|
Everett, Walter |
Article |
Making Sense of Rock's Tonal Systems |
10.4, 2004 |
HTML/Frames
HTML |
Everett, Yayoi Uno |
Article |
Parody with an Ironic Edge: Dramatic Works by Kurt Weill, Peter Maxwell Davies, and Louis Andriessen |
10.4, 2004 |
HTML/Frames
HTML |
FFFFF
|
Type |
Title |
Vol./Issue |
Links |
Fiore, Thomas M. and Satyendra, Ramon |
Article |
Generalized Contextual Groups |
11.3, 2005 |
PDF |
Forte, Allen |
Commentary |
Tristan Redux: Comments on John Rothgeb's Article on the Tristan Chord
in MTO 1.1 (MTO 1.1) |
1.2, 1995 |
ASCII |
Forte, Allen |
Article |
Responses to Plenary Session Papers, NECMT 2000 |
6.3, 2000 |
HTML/Frames
HTML
ASCII |
Forte, Allen |
Article |
The Founding of the Society for Music
Theory |
9.1, 2003 |
HTML |
Fox, Donna Brink |
Review |
Review of Abeles, Harold; Hoffer, Charles; and Klotman, Robert. Foundations
of Music Education, 2nd ed. New York: Schirmer Books |
2.7, 1996 |
HTML
ASCII |
Friedmann, Michael |
Review |
Review of Nicolas Marstons'
Beethoven's Piano Sonata in E, op. 109 |
3.1, 1997 |
HTML
ASCII |
Fuller, Sarah |
Review |
Review of Musica Enchiriadis and Scolica Enchiriadis, trans.,
with an Introduction and Notes, by Raymond Erickson, ed. Claude V. Palisca |
3.1, 1997 |
HTML
ASCII |
GGGGG
|
Type |
Title |
Vol./Issue |
Links |
Garcia, Luis-Manuel |
Article |
On and On: Repetition as Process and Pleasure in Electronic Dance Music |
11.4, 2005 |
HTML/Frames
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Gauldin, Robert |
Article |
Tragic Love and Musical Memory |
10.4, 2004 |
HTML/Frames
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Gloag, Kenneth |
Review |
Review of David Clarke, The Music and Thought of Michael Tippett: Modern Times and Metaphysics (Cambridge: Cambridge University Press, 2001)
|
10.2, 2004 |
HTML |
Grauer, Victor |
Article |
Toward a Unified Theory of the Arts |
2.6, 1996 |
HTML
ASCII |
Grave, Floyd |
Review |
Review of William E. Caplin, Classical Form: A Theory of Formal Functions
for the Instrumental Music of Haydn, Mozart, and Beethoven (New York
and Oxford: Oxford University Press, 1998) |
4.6, 1998 |
HTML
ASCII |
Green, Burdette |
Review |
Review of Rebecca Herissone, Music
Theory in Seventeenth-Century England (Oxford: Oxford University
Press, 2000) |
11.2, 2005 |
HTML |
Gruber, Gerold W. |
International Report |
Review of the 3rd Congress for Music Theory, Vienna, Austria, May 10-12,
1996 |
2.7, 1996 |
HTML
ASCII |
Guck, Marion |
Article |
Music Loving, Or the Relationship with the Musical Work |
2.2, 1996 |
HTML
ASCII |
HHHHH
|
Type |
Title |
Vol./Issue |
Links |
Haimo, Ethan T. |
Commentary |
Linear Analysis--A Cure for Pitch-Class Set Analysis?: A Reply (MTO
3.2) |
3.3, 1997 |
HTML
ASCII |
Hakanson, Michelle E. |
Review |
Review of Carol J. Oja, Making Music Modern: New York in the 1920s.
New York: Oxford University Press, 2000 |
10.4, 2004 |
HTML |
Harley, James |
Commentary |
Commentary on Stephen Smoliar (MTO 0.6) |
0.7, 1994 |
ASCII |
Harrison, Daniel |
Article |
Tolling Time |
6.4, 2000 |
HTML/Frames
HTML
ASCII |
Harrison, Daniel |
Review |
Review of Alexander Rehding, Hugo Riemann and the Birth of Modern
Musical Thought
(Cambridge: Cambridge University Press, 2003) |
11.2, 2005 |
HTML/Frames
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Haskins, Rob |
Review |
Review of The Cambridge Companion to John Cage, ed. David Nicholls
(Cambridge: Cambridge University Press, 2002) |
10.2, 2004 |
HTML |
Hatten, Robert |
Article |
Introduction (to the Special Issue on Performance and Analysis) |
11.1, 2005 |
HTML |
Hatten, Robert |
Review |
Review of Berthold Hoeckner, Programming the Absolute: Nineteenth-Century German Music and the Hermeneutics of the Moment
(Princeton University Press, 2002) |
11.1, 2005 |
HTML/Frames
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Headlam, Dave |
Article |
Multimedia for Music Study on the Web: Director from Macromedia |
3.5, 1997 |
HTML/Frames
HTML
ASCII |
Heinonen, Yrjo |
Review |
Review of Walter Everett, The Beatles as Musicians: Revolver Through
the Anthology. New York: Oxford University Press, 1999 |
6.2, 2000 |
HTML
ASCII |
Hermann, Richard |
Commentary |
Response to Demske (MTO 1.2) |
1.3, 1995 |
ASCII |
Hermann, Richard |
International Report |
Reflexive Postmodern Anthropology Meets Musical "Modernism": Georgina
Born's Rationalizing Culture. A Review of IRCAM, Boulez, and the Institutionalization
of the Musical Avant-Garde. |
3.5, 1997 |
HTML/Frames
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ASCII |
Hippel, Paul T. von and
Aarden, Bret |
Article |
Rules for Chord Doubling (and Spacing): Which Ones Do We Need? |
10.2, 2004 |
HTML/Frames |
Hisama, Ellie M. |
Article |
Life Outside the Canon? A Walk on the Wild Side |
6.3, 2000 |
HTML/Frames
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ASCII |
Hoeckner, Berthold |
Article |
Poet's Love and Composer's Love |
7.5, 2000 |
HTML/Frames
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Hofmann-Engl, Ludger |
Review |
Review of W.B. Hewlett & E. Selfridge-Field, eds., Melodic Similarity:
Concepts, Procedures, and
Applications (Cambridge, Massachusetts: MIT Press, 1999). |
5.4, 1999 |
HTML
ASCII |
Holm-Hudson, Kevin |
Article |
Your Guitar, It Sounds So Sweet and Clear: Semiosis in Two Versions
of "Superstar" |
8.4, 2002 |
HTML/Frames
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Honing, Henkjan |
Commentary |
Some Comments on the Relation Between
Music and Motion |
9.1, 2003 |
HTML/Frames
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Horlacher, Gretchen G. |
Article |
Bartók's "Change of Time": Coming Unfixed |
7.1, 2001 |
HTML/Frames
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Huron, David |
Article |
What is a Musical Feature? Forte's Analysis of Brahms's Opus 51, No.
1, Revisited |
7.4, 2001 |
HTML/Frames
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Hussey, William |
Article |
Triadic Post-Tonality and Linear
Chromaticism in the Music of Dmitri Shostakovich |
9.1, 2003 |
HTML/Frames
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IIIII
|
Type |
Title |
Vol./Issue |
Links |
Isaacson, Eric J. |
Article |
Issues in the Study of Similarity in Atonal Music |
2.7, 1996 |
HTML
ASCII |
JJJJJ
|
Type |
Title |
Vol./Issue |
Links |
James, Tess |
International Report |
Celibidache and Bruckner |
4.5, 1998 |
HTML
ASCII |
James, Tess |
International Report |
Hans Rott (1858-1884) -- the missing link between Bruckner and Mahler |
5.1, 1999 |
HTML
ASCII |
James, Tess |
International Report |
Review of Zbigniew Preisner, Requiem for My Friend |
5.4, 1999 |
HTML
ASCII |
Jenkins, J. Daniel |
Review |
Review of David Schiff, The Music of Elliott Carter. 2nd ed.
Ithaca: Cornell University Press, 1998. |
6.1, 2000 |
HTML
ASCII |
Johnson, Timothy |
Article |
The Computer Presentation of Musical Research: A Case Study |
1.3, 1995 |
ASCII |
Judd, Robert |
Commentary |
Commentary on Neumeyer (MTO 0.1) |
0.2, 1993 |
ASCII |
Judd, Robert |
Commentary |
Commentary on Justin London (MTO 0.2) |
0.3, 1993 |
ASCII |
Judd, Robert |
Article |
Composers, Performers and Notation: Solo Music Notations in Europe,
1500-1700 |
0.8, 1994 |
ASCII |
KKKKK
|
Type |
Title |
Vol./Issue |
Links |
Kaminsky, Peter M. |
Article |
Revenge of the Boomers: Notes on the Analysis of Rock Music |
6.3, 2000 |
HTML/Frames
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ASCII |
Karpinski, Gary S. |
Article |
Lessons from the Past: Music Theory Pedagogy and the Future |
6.3, 2000 |
HTML/Frames
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ASCII |
Killam, Rosemary |
Article |
Feminist Theories--Process and Continua |
0.8, 1994 |
ASCII |
Killam, Rosemary |
Article |
Cognitive Dissonance: Should Twentieth-century Women Composers Be Grouped
with Focault's Mad Criminals? |
3.2, 1997 |
HTML
ASCII |
Killam, Rosemary |
Commentary |
Response to Professor Morse's Open Letter (MTO 3.3) |
3.4, 1997 |
HTML
ASCII |
Klumpenhouwer, Henry |
Article |
Some Remarks on the Use of Riemann Transformations |
0.9, 1994 |
ASCII |
Koozin, Timothy |
Article |
On Metaphor, Technology, and Schenkerian Analysis |
5.3, 1999 |
Shockwave
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ASCII |
Kopiez, Reinhard |
International Report |
Report on the Jahrestagung der Deutschen Gesellschaft fuer Musikpsycologie
(DGM), Muenster, 10-12 September, 1993, trans. Richard Parncutt |
0.7, 1994 |
ASCII |
Kopp, David |
Article |
On the Function of Function |
1.3, 1995 |
ASCII |
Kosovsky, Robert |
Commentary |
Commentary on Neumeyer (MTO 0.1) |
0.2, 1993 |
ASCII |
Krebs, Harald |
Review |
Review of David Ferris,
Schumann's Eichendorff Liederkreis
and the Genre of
the Romantic Cycle. New York: Oxford University
Press, 2000.
|
8.2, 2002 |
HTML |
Krims, Adam |
Article |
Bloom, Post-Structuralism(s), and Music Theory |
0.11, 1994 |
ASCII |
Krims, Adam |
Commentary |
On the Fear of Losing Our Tools (A Response to Joseph N. Straus) (MTO
1.1) |
1.1, 1995 |
ASCII |
Kuusi, Tuire |
Article |
The Role of Set-Class
Identity in the Estimation of Chords |
9.3, 2003 |
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LLLLL
|
Type |
Title |
Vol./Issue |
Links |
Latham, Edward D. |
Review |
Review of Ethan Haimo's article, "Atonality Analysis, and the Intentional
Fallacy," Music Theory Spectrum 18/2 (Fall, 1996) |
3.2, 1997 |
HTML
ASCII |
Latham, Edward D. |
Review |
Binary Oppositions in Arnold Whittall's Exploring Twentieth-Century
Music: Tradition and Innovation (Cambridge University Press, 2003)
and Their Implications for Analysis |
10.3, 2004 |
HTML/Frames
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Leong, Daphne and McNutt, Elizabeth |
Article |
Virtuosity in Babbitt’s Lonely Flute |
11.1, 2005 |
HTML/Frames
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Leong, Daphne and McNutt, Elizabeth |
Article |
Response to Janet Schmalfeldt's Response |
11.1, 2005 |
HTML/Frames
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Leong,
Daphne and Korevaar, David |
Article |
The Performer's Voice: Performance and Analysis in
Ravel's Concerto pour la main gauche |
11.3, 2005 |
HTML
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Lester, Joel |
Commentary |
Commentary on Justin London (MTO 0.2) |
0.3, 1993 |
ASCII |
Lester, Joel |
Article |
How Theorists Relate To Musicians |
4.2, 1998 |
HTML/Frames
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ASCII |
Lewin, David B. |
Commentary |
Commentary on Roeder (MTO 0.5) |
0.6, 1994 |
ASCII |
Lewin, David B. |
Article |
The D major Fugue Subject from WTC II: Spatial Saturation? |
4.4, 1998 |
HTML/Frames
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ASCII |
Leydon, Rebecca |
Article |
Towards a Typology of Minimalist Tropes |
8.4, 2002 |
HTML/Frames
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Lindley, Mark and Turner-Smith, Ronald |
Article |
An Algebraic Approach to Mathematical Models of Scales |
0.3, 1993 |
ASCII |
Littlefield, Richard |
Commentary |
Commentary on John Roeder (MTO 0.5) |
0.7, 1994 |
ASCII |
Littlefield, Richard |
Article |
The Silence of the Frames |
2.1, 1996 |
HTML
ASCII |
Lochhead, Judith |
Review |
Review of Embodied Voices: Representing female vocality in western
culture edited by Leslie C. Dunn and Nancy A. Jones. Cambridge University
Press, 1994 |
2.1, 1996 |
HTML
ASCII |
Lochhead, Judith I. |
Article |
Retooling the Technique |
4.2, 1998 |
HTML/Frames
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ASCII |
Lochhead, Judith |
Review |
Review of Ellie M. Hisama, Gendering
Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam
Gideon |
9.2, 2003 |
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London, Justin |
Article |
Loud Rests and Other Strange Metric Phenomena (or, Meter as Heard) |
0.2, 1993 |
ASCII |
London, Justin |
Commentary |
Commentary on Justin London (MTO 0.2) |
0.3, 1993 |
ASCII |
London, Justin |
Commentary |
Misreading Meyer: A Reply to Cochrane (MTO 1.1) |
1.3, 1995 |
ASCII |
London, Justin |
Commentary |
A Different Response to Killam (MTO 3.2, 3.3) |
3.4, 1997 |
HTML
ASCII |
Luchese, Diane |
Review |
Review of Anthony Pople,
Messiaen: Quatuor pour la fin du Temps |
5.2, 1999 |
HTML
ASCII |
MMMMM
|
Type |
Title |
Vol./Issue |
Links |
Martinez, José Luis |
Article |
Semiotics and the Art Music of India |
6.1, 2000 |
HTML/Frames
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ASCII |
McCreless, Patrick |
Review |
Review of Jean-Jacques Nattiez, Wagner Androgyne: A Study in Interpretation
(Princeton: Princeton University Press, 1993) |
2.1, 1996 |
HTML
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McCreless, Patrick |
Article |
Contemporary Music Theory and the New Musicology: An Introduction |
2.2, 1996 |
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McCreless, Patrick |
Article |
Music Theory as Community: A Perspective from the Late '90's |
4.2, 1998 |
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McCreless, Patrick P. |
Article |
Music Theory and Historical Awareness |
6.3, 2000 |
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McNamee, Ann K. |
Article |
Grazyna Bacewicz's Second Piano Sonata (1953): Octave Expansion and
Sonata Form |
0.4, 1993 |
ASCII |
McNamee, Ann K. |
Article |
Publishing and Pedagogy Using Multimedia on the World-Wide Web |
3.5, 1997 |
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McNutt, Elizabeth |
Article |
A Postscript on Process |
11.1, 2005 |
HTML |
Mailman, Josh |
Commentary |
The Aims of Music Theory and Neurath's Boat: A Reply to Jonathan Walker
and Matthew Brown (MTO 2.2) |
2.4, 1996 |
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Marvin, William M. |
Review |
Review of Daniel Kazez,
Rhythm Reading: Elementary Through Advanced
Training |
3.4, 1997 |
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Meeus, Nicolas |
International Report |
Music Theory and Analysis in France and Belgium |
3.4, 1997 |
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Meeus, Nicolas |
Article |
Toward a Post-Schoenbergian Grammar of Tonal and Pre-tonal Harmonic
Progressions |
6.1, 2000 |
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Mengozzi, Stefano |
Review |
Review of Lionel Pike, Hexachords in Late-Renaissance Music (Aldershot:
Ashgate, 1998) |
4.3, 1998 |
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Mirka, Danuta |
Article |
The Structural Role of Timbre and Texture in the Music of Penderecki |
6.1, 2000 |
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Monelle Raymond |
Commentary |
Martinez's Concept of "Intrinsic Semiosis" (Commentary on Martinez,
MTO 6.1) |
6.2, 2000 |
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Moore, Allan F. |
Article |
The Persona-Environment Relation in Recorded Song |
11.4, 2005 |
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Morris, Robert D. |
Article |
Introduction to Panorama of Music Theory, 1987-97 |
4.2, 1998 |
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Morse, Michael William |
Commentary |
To Rosemary Killam: An Open Letter and Reply (MTO 3.2) |
3.3, 1997 |
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Type |
Title |
Vol./Issue |
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Neumeyer, David |
Article |
Schoenberg at the Movies: Dodecaphony and Film |
0.1, 1993 |
ASCII |
Neumeyer, David |
Commentary |
Commentary on Neumeyer (MTO 0.1) |
0.2, 1993 |
ASCII |
Novak, John |
Review |
Review of Amanda Bayley, ed.,
The Cambridge Companion to Bartók |
7.5, 2001 |
HTML |
OOOOO
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Type |
Title |
Vol./Issue |
Links |
O'Donnell, Shaugn |
Commentary |
Commentary on Neumeyer (MTO 0.1) |
0.2, 1993 |
ASCII |
PPPPP
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Type |
Title |
Vol./Issue |
Links |
Parncutt, Richard |
Commentary |
Commentary on Justin London (MTO 0.2) |
0.3, 1993 |
ASCII |
Parncutt, Richard |
International Report |
Review of the 1993 Conference of the Society for Music Perception and
Cognition |
0.6, 1994 |
ASCII |
Parncutt, Richard |
Commentary |
Response to Demske (MTO 1.2) |
1.3, 1995 |
ASCII |
Pastille, William |
Article |
Schenker's Value-Judgments |
1.6, 1995 |
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ASCII |
Peck, Robert W. |
Article |
Klein-Bottle Tonnetze |
9.3, 2003 |
PDF |
Peck, Robert W. |
Review |
A Review of the 2003 American Mathematical Society Spring Southeastern
Section Conference, Special Session on Mathematical Techniques in Musical
Analysis |
9.3, 2003 |
HTML |
Perrott, David |
Review |
Review of Laurent Fichet, Les theories scientifiques de la musique
(Paris: Librairie philosophique J. Vrin, 1996). |
5.4 1999 |
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Perry, Jeffrey |
Review |
Review of Allen Forte, The Atonal Music of Anton Webern. New
Haven: Yale University Press, 1999. |
6.1, 2000 |
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Perry, Jeffrey |
Article |
The Ladder of Evolution and Musical Progress |
6.5, 2000 |
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Perry, Jeffrey |
Review |
Review of M. J. Grant,
Serial Music, Serial Aesthetics: Compositional Theory in
Post-War Europe |
9.1, 2003 |
HTML |
Pople, Anthony |
Review |
Review of David Epstein,
Shaping Time: Music, the Brain, and Performance |
3.3, 1997 |
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Title |
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Quaglia,
Bruce |
Review |
Review of Bryan Simms, The Atonal Music of Arnold Schoenberg
1908-1923 (New York: Oxford, 2000) |
8.1, 2002 |
HTML |
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Type |
Title |
Vol./Issue |
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Rahn, Jay |
Article |
From Similarity to Distance; From Simplicity to Complexity; From Pitches
to Intervals; From Description to Causal Explanation |
0.9, 1994 |
ASCII |
Rahn, Jay |
Commentary |
Reply to Smoliar's "Mathematical Logic" (MTO 0.9, 0.10) |
0.10, 1994 |
ASCII |
Rahn, Jay |
Article |
Practical Aspects of Marchetto's Tuning |
4.6, 1998 |
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Rahn, Jay |
Communication |
Conference Report: Symposium on Neo-Riemannian Theory, State University
of New York at Buffalo, July 20-21, 2001 |
7.5, 2001 |
HTML |
Raschke, Peter J. |
Review |
Review of Music-Theory Web Sites for the Beginner |
5.2, 1999 |
HTML
ASCII |
Rawlins, Robert |
Review |
Review of Mark Levine, The Jazz Theory Book. Petaluma, Calif.:
Sher Music, 1995. |
6.1, 2000 |
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Renwick, William |
Article |
"A Subject of Four Notes": William Crotch's Experiment in Motivic Saturation |
0.10, 1994 |
ASCII |
Robison, Brian |
Article |
Modifying Interval-Class Vectors of Large Collections to Reflect Registral
Proximity Among Pitches |
0.10, 1994 |
ASCII |
Robison, Brian |
Commentary |
Category Structures and Fuzzy Sets (response to Lawrence Zbikowski)
(MTO 1.4) |
1.5, 1995 |
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Roeder, John |
Article |
Pulse Streams and Problems of Grouping and Metrical Dissonance in Bartók's
"With Drums and Pipes" |
7.1, 2001 |
HTML |
Roeder, John |
Commentary |
Response to Commentaries (on his MTO 0.5 article) |
0.6, 1994 |
ASCII |
Roeder, John |
Review |
Review of Christopher F. Hasty Meter as Rhythm (New York/Oxford:
Oxford University Press, 1997). |
4.4, 1998 |
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Roeder, John |
Article |
Toward a Semiotic Evaluation of Music Analyses |
0.5, 1993 |
ASCII |
Roemjantsew, Tamara W. |
International Report |
Report on Two Conferences in the Netherlands |
6.1, 2000 |
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Rogers, Nancy and Michael Buchler |
Article |
Square
Dance Moves and Twelve-Tone Operators: Isomorphisms
and New Transformational Models |
9.4, 2003 |
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Rothgeb, John |
Article |
The Tristan Chord: Identity and Origin |
1.1, 1995 |
ASCII |
Rothgeb, John |
Commentary |
Eytan Agmon on Functional Theory |
2.1, 1996 |
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Rothstein, William |
Commentary |
The Tristan Chord in Historical Context: A Response to John Rothgeb
(MTO 1.1) |
1.3, 1995 |
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Rothstein, William |
Article |
Like Falling off a Log: Rubato in Chopin’s Prelude in A-flat Major, Op. 28 No. 17 |
11.1, 2005 |
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Royal, Matthew S. |
Review |
Review of Eugene Narmour, The Analysis and Cognition of Basic Melodic
Structures (Chicago: University of Chicago Press, 1990) and The Analysis
and Cognition of Melodic Complexity (Chicago: University of Chicago
Press, 1992). |
1.6, 1995 |
ASCII |
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Samarotto, Frank P. |
Review |
"The Body that Beats": Review of Harald Krebs, Fantasy Pieces: Metrical
Dissonance in the Music of Robert Schumann. New York: Oxford University
Press, 1999. |
6.4, 2000 |
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Samarotto, Frank |
Article |
Sublimating Sharp ^4: An Exercise in Schenkerian Energetics |
10.3, 2004 |
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Samplaski, Art |
Article |
Interval-Classes and Psychological Space |
10.2, 2004 |
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Samplaski, Art |
Article |
Mapping the Geometries of Pitch-Class Set Similarity Measures via
Multidimensional Scaling |
11.2, 2005 |
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Sayrs, Elizabeth |
Article |
Narrative, Metaphor, and Conceptual
Blending in "The Hanging Tree" |
9.1, 2003 |
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Schaffer, John Wm. |
Review |
Review of Peter Castine's
Set Theory Objects: Abstractions for Computer-Aided
Analysis and Composition of Serial and Atonal Music |
2.6, 1996 |
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ASCII |
Schaffer, John Wm. |
Review |
Review of Eleanor Selfridge-Field, Beyond MIDI: the Handbook of Musical
Codes (Cambridge, Mass.: MIT Press, 1997). |
5.4, 1999 |
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Schubert, Peter N. |
Review |
Review of Musical Poetics by Joachim Burmeister. Translated,
with Introduction and Notes, by Benito V. Rivera. Edited by Claude V. Palisca
(New Haven and London: Yale University Press, 1993). |
1.5, 1995 |
ASCII |
Schmalfeldt, Janet |
Article |
On Keeping the Score |
4.2, 1998 |
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Schmalfeldt, Janet |
Article |
Coming Home |
10.1, 2004 |
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Schmalfeldt, Janet |
Article |
Response (to the Special Issue on Performance and Analysis) |
11.1, 2005 |
HTML |
Scholtz, Kenneth P. |
Article |
Algorithms for Mapping Diatonic Keyboard Tunings and Temperaments |
4.4, 1998 |
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Schulenberg, David L. |
Commentary |
Commentary on Channan Willner: "More on Handel and the Hemiola" (MTO
2.3) |
2.5, 1996 |
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Scotto, Ciro G. |
Article |
Transformational Networks, Transpositional Combination, and
Aggregate Partitions in Processional by George Crumb |
8.3, 2002 |
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Silberman, Peter |
Article |
Post-Tonal Improvisation in the Aural
Skills Classroom |
9.2, 2003 |
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Smoliar, Stephen |
Commentary |
Commentary on Neumeyer (MTO 0.1) |
0.2, 1993 |
ASCII |
Smoliar, Stephen |
Commentary |
Commentary on Justin London (MTO 0.2) |
0.3, 1993 |
ASCII |
Smoliar, Stephen |
Article |
Computers Compose Music, But Do We Listen? |
0.6, 1994 |
ASCII |
Smoliar, Stephen |
Commentary |
Commentary on Roeder (MTO 0.5) |
0.6, 1994 |
ASCII |
Smoliar, Stephen |
Commentary |
Mathematical Logic: Response to Jay Rahn (MTO 0.9, 0.10) |
0.10, 1994 |
ASCII |
Smoliar, Stephen |
Commentary |
Musical Objects: Response to John Covach (MTO 0.11) |
1.1, 1995 |
ASCII |
Smoliar, Stephen |
Review |
Book Review: Robert Cogan,
New Images of Musical Sound |
1.3, 1995 |
ASCII |
Snyder, John L. |
Review |
Review of Richard Will, The Characteristic Symphony
in the Age of Haydn and Beethoven (Cambridge: Cambridge University Press, 2002) |
10.4, 2004 |
HTML |
Soderberg, Stephen |
Article |
White Note Fantasy |
4.3, 1998 |
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Soderberg, Stephen |
Article |
White Note Fantasy, Part II: A Few Hypertonal Variations |
5.2, 1999 |
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Spicer, Mark |
Review |
Review of Walter Everett, The Beatles as
Musicians:
The Quarry Men Through Rubber Soul
(New York and Oxford: Oxford University Press, 2001) |
11.4, 2005 |
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Straus, Joe. |
Commentary |
Post-structuralism and Music Theory: A Response to Adam Krims (MTO 0.11) |
1.1, 1995 |
ASCII |
Straus, Joseph N. |
Article |
SMT 1997 Plenary Session: Introductory Remarks |
4.2, 1998 |
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Taylor, Stephen A. |
Article |
Chopin, Pygmies, and Tempo Fugue: Ligeti's "Automne a Varsovie" |
3.3, 1997 |
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Temperley, David |
Review |
Review of Joseph Swain,
Musical Languages |
5.3, 1999 |
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Tenzer, Michael |
Article |
Theory and Analysis of Melody in Balinese
Gamelan |
6.2, 2000 |
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Toorn, Pieter C. van den |
Article |
A Response to Richard Taruskin's "A Myth of the Twentieth Century" |
1.5, 1995 |
ASCII |
Tymoczko, Dmitri |
Article |
Voice Leadings as Generalized
Key Signatures |
11.4, 2005 |
PDF |
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Type |
Title |
Vol./Issue |
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Urista, Diane J. |
Article |
Beyond Words: The Moving
Body as a Tool for Musical Understanding |
9.3, 2003 |
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Title |
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Väisälä, Olli
|
Review |
Review of Timothy L. Jackson and Veijo Murtomäki,
eds. Sibelius Studies (Cambridge: Cambridge University Press,
2001) |
8.4, 2002 |
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Vetter, Roger |
Review |
Review of Michelle Kisliuk, Seize the Dance: BaAka Musical Life and
the Ethnography of Performance. New York: Oxford University Press, 1998. |
6.1, 2000 |
HTML
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Vlagopoulos, Panos |
International Report |
Music Theory In Greece |
4.3, 1998 |
HTML
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Vlagopoulos, Panos |
International Report |
Report on the First Symposium On Computer and Music in Corfu, Greece
(23-25 October 1998) |
5.1, 1999 |
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Type |
Title |
Vol./Issue |
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Walker, Jonathan |
Commentary |
The Deconstruction of Musicology: Poison or Cure? |
2.4, 1996 |
HTML
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Walker, Jonathan |
Commentary |
Intonational Injustice: A Defense of Just Intonation in the Performance
of Renaissance Polyphony |
2.6, 1996 |
HTML
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Walker, Jonathan |
Review |
Review of Adam Krims, Rap Music and the Poetics of Identity,
Cambridge University Press, 2000 |
7.4, 2001 |
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Wannamaker, Robert A. |
Article |
Structure and Perception in Herma by Iannis Xenakis |
7.3, 2001 |
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Weisser, Benedict |
Review |
Review of David Cope,
Techniques of the Contemporary Composer |
4.1 1998 |
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Wennerstrom, Mary |
Article |
SMT at 25: A View from the Balance Sheet |
9.1, 2003 |
HTML |
Wibberley, Roger |
Article |
Josquin's Ave Maria: Musica Ficta versus Mode |
2.5, 1996 |
HTML
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Wibberley, Roger |
Commentary |
"Mode versus Ficta" in Context (response to Bent, MTO 2.6) |
2.7, 1996 |
HTML
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Wibberley, Roger |
Article |
J.S. Bach's Prelude and Fugue in E Flat (BWV 522,1/2): An Inspiration
of the Heart? |
4.5, 1998 |
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Wibberley, Roger |
Article |
Quid non ebrietas dissignat? Willaert's didactic demonstration of Syntonic tuning |
10.1, 2004 |
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Wibberley, Roger |
Article |
Syntonic Tuning: A Sixteenth-Century Composer's Soundscape |
10.1,
2004 |
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Wibberley, Roger |
Article |
Syntonic Tuning: Creating a Model for Accurate Electronic Playback |
10.1,
2004 |
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Wibberley, Roger |
Commentary |
Models for Chord Doubling (and Spacing): Which Ones Don't We Need? |
10.3, 2004 |
HTML |
Wild, Jonathan |
Review |
A Review of the Humdrum Toolkit: UNIX Tools for Musical Research, created
by David Huron |
2.7, 1996 |
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Willner, Channan |
Article |
More on Handel and the Hemiola: Overlapping Hemiolas |
2.3, 1996 |
HTML
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Willner, Channan |
Commentary |
Handel, the Sarabande, and Levels of Genre: A Reply to David Schulenberg
(MTO 2.5) |
2.7, 1996 |
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Woods, Alyssa and Burns, Lori |
Article |
Authenticity, Appropriation, Signification: Tori Amos on Gender, Race, and Violence in Covers of Billie Holiday and Eminem
|
10.2, 2004 |
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Zbikowski, Lawrence |
Article |
Theories of Categorization and Theories of Music |
1.4, 1995 |
ASCII |
Zbikowski, Lawrence |
Commentary |
Response to Robison, "Category Structures and Fuzzy Sets" (MTO 1.5) |
1.5, 1995 |
ASCII |
Zbikowski, Lawrence |
Article |
Metaphor and Music Theory: Reflections from Cognitive Science |
4.1, 1998 |
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