Volume 11 Number 1, March 2005
Copyright © 2005 Society for Music Theory
Editor’s Message
Articles
Special Issue on Performance and Analysis:
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Introduction (to the Special Issue on Performance and Analysis) |
11.1.1 |
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Robert S. Hatten (Indiana University) |
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Prompting Performance: Text, Script, and Meaning in Bryn Harrison’s être-temps |
11.1.2 |
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Nicholas Cook (University of London) |
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Like Falling off a Log: Rubato in Chopin’s Prelude in A-flat Major, Op. 28 No. 17 |
11.1.3 |
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William Rothstein (CUNY Graduate Center) |
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Virtuosity in Babbitt’s Lonely Flute |
11.1.4 |
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Daphne Leong (University of Colorado at Boulder) Elizabeth McNutt (University of Colorado at Boulder) |
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A Postscript on Process |
11.1.5 |
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Elizabeth McNutt (University of Colorado at Boulder) |
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Response (to the Special Issue on Performance and Analysis) |
11.1.6 |
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Janet Schmalfeldt (Tufts University) |
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Response to Janet Schmalfeldt’s Response |
11.1.7 |
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Daphne Leong (University of Colorado at Boulder) Elizabeth McNutt (University of Colorado at Boulder) |
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Reviews
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Review of Berthold Hoeckner, Programming the Absolute: Nineteenth-Century German Music and the Hermeneutics of the Moment (Princeton University Press, 2002) |
11.1.8 |
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Robert S. Hatten (Indiana University) |
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Review of Yrjö Heinonen et al., Beatlestudies 3: Proceedings of the BEATLES 2000 Conference (University of Jyväskylä Press, 2001) |
11.1.9 |
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Peter Kaminsky (University of Connecticut) |
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