Music Theory Online Volume 13, Number 4

Volume 13 Number 4, December 2007

Editor’s Message

Articles

Why Are There Twenty-Nine Tetrachords? A Tutorial on Combinatorics and Enumeration in Music Theory	13.4.1
Julian Hook (Indiana University)

Francesco’s Dream: Musical Logic in Landini’s Three-Voice Ballate	13.4.2
Jeannie Ma. Guerrero (Eastman School of Music)

Glenn Gould’s “Constant Rhythmic Reference Point”: Communicating Pulse in Bach’s Goldberg Variations, 1955 and 1981	13.4.3
Peter A. Martens (Texas Tech University)

A Tetrahelix Animates Bach: Revisualization of David Lewin’s Analysis of the Opening of the F# Minor Fugue from WTC I	13.4.4
Jacob Reed (Ohio State University) Matthew Bain (Ohio State University)

Filleted Mignon: A New Recipe for Analysis and Recomposition	13.4.5
Matt L. BaileyShea (Eastman School of Music)

Exploring Complementation in Bartók’s Third Quartet	13.4.6
Deborah Mawer (Lancaster University)

Review

Review of Peter H. Smith, Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet (Indiana University Press, 2005)	13.4.7
Samuel Ng (Louisiana State University)

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Updated November 25 2017

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