Example 1. Jazz harmonies from Diatonic, Acoustic, Octatonic, and Hexatonic Collections
Example 1a. Harmonies from C Diatonic Collection
(D0 = C, D, E, F, G, A, B, C)
Cmaj7, Cmaj7/9, C6/9 etc.
Fmaj7(11)
Dmin7/9, Dmin7/9/11, Dmin7/9/11/13
Gdom7/9, Gdom7/9/13
G7sus
Fmaj7/A
Example 1b. Harmonies from F Acoustic Collection
(A5 = F, G, A, B, C, D, E, F)
(Some harmonies include pcset [0148]:
C, E, G, B or E
, G, B, D)
F13(11)
CminM7, CminM7/9, CminM7/9/11, CminM7/9/11/13, Cmin6/9, etc.
Amin7/9(5), Amin7/9/11(
5), Amin7/9/11/
13(
5)
B7 altered (= 9,
9,
11,
13)
Emaj7(
5), E
maj7/9(
5)
Example 1c. Harmonies from D/E Octatonic Collection
(Oct 2,3 = D, E, F, G
, A
, A, B, C, D)
D7(9), D13(
9), D13(
9/
11)
F7(9), F13(
9), F13(
9/
11)
A7(
9), A
13(
9), A
13(
9/
11)
B7(9), B13(
9), B13(
9/
11)
Co maj7, Co9(maj7), Co11(maj7), Co 13(maj7)
Eo maj7, E
o9(maj7), E
o11(maj7), E
o
13(maj7)
Go maj7, G
o9(maj7), G
o11(maj7), G
o
13(maj7)
Ao maj7, Ao9(maj7), Ao11(maj7), Ao 13(maj7)
Example 1d. [0148] Harmonies from B/C Hexatonic Collection
(H0 = B, C, E, E, G, A
)
Bmaj7(5), E
maj7(
5), Gmaj7(
5)
CminM7, EminM7, AminM7
Example 1e. Specific Hexatonic Harmonies in Post-1960s Compositions
Amaj7(
5/
9): Wayne Shorter, “Vonetta”
Amaj7(
5)/E: Chick Corea, “Song of the Wind”
EminM7/A: Corea, “Song of the Wind”
Amaj7(
5/
5): Shorter, “Iris”