Example 10. Diagram showing the relative strength of CMP (right side) and HIP (left side) features in Luca’s 1977 recording of the Solos, overlaid by the ratings for Kuijken’s two recordings for comparison

Performance parameters were rated subjectively based on multiple listenings to the entire set, and then each movement’s scores were averaged for an overall rating. Numerical values are omitted to foster the perception of transience and to avoid implying precision and stability.