Example 2. Paul Klee, Beiträge zur bildnerischen Formlehre (1922, BF/55): Graphic translation of J. S. Bach, Adagio from Sonata for Violin and Harpsichord (BWV 1019), mm. 1–2. The graph includes a transcription of the music on a staff (on the top) and a translation into Klee’s graphical scheme. The grey-shaded areas on the bottom denote metrical hierarchies (see also detail in Example 2a). http://www.kleegestaltungslehre.zpk.org/ee/ZPK/BF/2012/01/01/055/ © Zentrum Paul Klee, Bern, Bildarchiv