EXAMPLE TESTING


Example 1. Bach, Partita No. 3 for Solo Violin, BWV 1006, Loure, mm. 1–2

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Example 2. Focal impulse placement in two performances of Bach’s Loure for solo violin (78, Example 4.3)

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Example 3. Ito’s recompositions of a theme from Beethoven’s Overture to The Creatures of Prometheus, op. 43 (62, Example 3.5)

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Example 4. Three types of syncopation, distinguished by their relation to focal impulses (113, Example 7.1)

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Example 5. Categories of qualitatively inflected focal impulse (172, Table 10.1)

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Example 6. Focal impulse quality in two performances of Bach’s Loure for solo violin

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