Example 14. Top: Schenker’s deceptive cadence prototype from Der freie Satz (reproduction of Fig. 71, Ex. 1). At b), the rising succession V—VI is “led back by means of interpolated fifths into the direction of the descending fifth V—I” (70). Bottom: Fux-ian feigned closes (inganno) quoted in Harmony, (reproduction of Example 108 with added annotations). The second feigned close is suggestive of a dominant sink fold.