Example 32. Abduction Fanfare #2 returns in a later scene, as the music for the second of the Two Rival Tribes (The Second Tribe’s Fanfare). The music is still in a military expressive mode, as the male dancers engage in martial display and warlike games of mock combat. The violent, martial quality of the melody is enhanced by the thick, dissonant, planing accompaniment (Rival Tribes, Reh. 57)