Work

Final chord of each work/movement

Toccata for two pianos op. 2 (1955)

Before the coda, the first piano plays a series of E♭M⁶ and FM⁶ chords, while the second piano plays D♭M⁶ chords. Not explicitly a first-inversion triad ending, but significant given this work’s age.

Piano Sonata op. 6, no 1 (1956)

III: FM^6/5

From a Bird’s Nest op. 9 (1956)

Stara Melodia : Em⁶

Symphony no. 2 Copernican op. 31 (1972)

A♭M⁶

Beatus Vir op. 38 (1979)

CM⁶

Szeroka Woda op. 39 (1979)

III: Em⁶

V: GM⁶

Wiecz r ciemny się uniża op. 45 (1981)

DM⁶

Miserere op. 44 (1981)

III, IV, V, and VI: GM⁶

VII: CM⁶

My Vistula, grey Vistula op. 46 (1981)

FM⁶

Under Your Protection op. 56 (1984)

m. 42: B♭M⁶

Totus Tuus op. 60 (1987)

E♭M⁶

Three Fragments to Words by Stanisław Wyspiański op. 69 (1996)

II: Am⁶

III: CM⁶

Quasi una Fantasia op. 78 (2002; string orchestra arrangement of op. 64)

IV: B♭M⁶ (against a movement-long E pedal)

For Jasiunia op. 79 (2003)

II: FM⁶

Church Songs op. 84 (posth. 2013)

I: FM⁶

II: FM⁶

VI: Dm⁶