Example 10. Three Motive-Based Focal Impulse Profiles for the Timpani Solo from Hindemith’s Symphonic Metamorphosis, Second Movement, B Section’s Fugal Development
Audio from a 2018 release of a 1947 recording featuring George Szell and the Cleveland Orchestra
Audio from a 1995 release of a 1994 recording featuring Franz-Paul Decker and the New Zealand Symphony Orchestra