Music Theory Online
The Online Journal of the Society for Music
Theory
Copyright � 1997 Society for Music Theory
Volume 3, Number 4 July, 1997 ISSN 1067-3040
General Editor Editorial Board
Lee Rothfarb
(UC Santa Barbara) David Headlam (Eastman School of Music)
Justin London (Carleton College)
Catherine Nolan (University of Western Ontario)
Reviews Editor Consulting Editors
Brian Alegant Bo Alphonce Thomas Mathiesen
(McGill University) Jonathan Bernard Benito Rivera
John Clough John Rothgeb
Nicholas Cook Arvid Vollsnes
Allen Forte Robert Wason
Marianne Kielian-Gilbert Gary Wittlich
Stephen Hinton
MTO Correspondents
Per Broman, Sweden Nicolas Meeus, Belgium, France
Peter Castine, Germany Ken-ichi Sakakibara, Japan
Wai-ling Cheong, Hong Kong Roberto Saltini, Brazil
Geoffrey Chew, England Michiel Schuijer, Holland
Gerold W. Gruber, Austria Uwe Seifert, Germany
Henry Klumpenhouwer, Canada Arvid Vollsnes, Norway
Marco Renoldi, Italy
Manager Editorial Assistants Music Example Designer MIDI Consultant
Robert Judd Cindy Nicholson William Loewe David Patrick Watts
Martin Steffen
Nicholas Blanchard
Jon Koriagin
HTML and Java Consultant
Bruce Petherick
All queries to the MTO General Editor or to the MTO Manager
TABLE OF CONTENTS
1. Commentaries
- Rosemary Killam, Response to Professor Morse's Open Letter
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- Justin London, A Different Response to Killam
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2. Reviews
- Larry Barnes, Review of J. Kent Williams's Theories and Analyses of Twentieth-Century Music
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- William M. Marvin, Review of Daniel Kazez, Rhythm Reading: Elementary Through Advanced Training, 2nd ed.
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3. Music Theory International
- Per Broman, Report from the Third Triennial ESCOM Conference in Uppsala, Sweden, 7-12 June, 1997
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- Wai-Ling Cheong, Theory Reception in China: Report on Journals of Central Conservatory and Shanghai Conservatory of Music
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- Nicolas Meeus, Music Theory and Analysis in France and Belgium
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- Society for Seventeenth-Century Music Meeting
- International Conference on 19th-century Music
- Search Facility for Conferences and Dissertation Abstracts
- GAMUT/MTSE: General Announcement
- Women and Music: A Journal of Gender and Culture
- Music as Heard: Listeners and Listening in Late-Medieval and Early Modern Europe (1300-1600)
- Pro-Art Musica (private music school Majorca, Spain): Researcher/Multimedia Developer
- Assistant Professor (tenure track), New York University
- Dudeque, Norton E. "Tonal Harmony and the Concept of Monotonality in the Writings of Arnold Schoenberg"
- Foulkes-Levy, Laurdella. "A Synthesis of Recent Theories of Tonal Melody, Contour, and the Diatonic Scale: Implications for Aural Perception and Cognition"
- Gonzales-Lizausaba, Oswaldo. "A Formalized Analysis of Luciano Berio's Erdenklavier for Piano Solo: An Undulatory Approach"
- Jacobus-Freund, Suzanne A. "The Art of Development: Development and the Development Section Seen Through the Eyes of Theorists, ca. 1775-1830"
- Power, Richard. "An Analysis of Transformation Procedures in Gyorgy Ligeti's String Quartet No. 2"
Harwood Academic Books
- Craig Harris, ed. Computer Music in Context
- Tom Morgan, ed. Aspects of Complexity in Recent British Music
- Klaus-Michael Hinz, ed. New Developments in Contemporary German Music
- Nicola Lefanu and Sophie Fuller, eds. Reclaiming the Muse
- Trevor Wishart, On Sonic Art
- James Boros and Richard Toop, eds. Brian Ferneyhough: Collected Writings
- David Blake, ed. Hanns Eisler: A Miscellany
- Vladimir Barsky, Chromaticism
University of California Press
- Lawrence Kramer, After the Lovedeath: Sexual Violence and the Making of Culture
- Judit Frigyesi, Bela Bartok and Turn-of-the-Century Budapest
- Walter Frisch, The Early Works of Arnold Schoenberg, 1893-1908
- William Kinderman, Beethoven
- Editor's Message
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This page prepared by
Lee A. Rothfarb, General Editor
July 16, 1997