List of Exact Citations of the Texts Used in the Composition
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Clough, John and Jack Douthett, N. Ramanathan, and Lewis Rowell. "Early
Indian Heptatonic Scales and Recent Diatonic Theory," Music
Theory Spectrum 15.1 (1993) [57, 1, (1-2 & 5)].
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Tonal Music," Music Theory Spectrum 14.2 (1992) [168, 2, 1-2].
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Theory with its Applications," Music Theory Spectrum 16.2
(1994) [161, 0, (4-5 & 8)].
Cusick, Suzanne G. "Feminist Theory, Music theory, and the Mind/Body
Problem," Perspectives of New Music 32.1 (1994) [18, (2, 3-4 &
Deutsch, Diana. "The Tritone Paradox: An Influence of Language on Music
Perception," Music Perception 8.4 (1991) [345, 1, 1].
Dubiel, Joseph. "Three Essays on Milton Babbitt (2)," Perspectives of New 29.1 (1991) [94, 2, 1].
Friedmann, Michael L. Ear Training for Twentieth-Century Music, New
Haven and London: Yale University Press, 1990 [(xxii, 4, 1) &
Galand, Joel. "Form, Genre, and Style in the Eighteenth-Century Rondo,"
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Guck, Marion. "Music Loving, Or the Relationship with the Piece," Music 2.2 (1995-) [*, [34], 4].
Harrison, Daniel. "Rhetoric and Fugue: An Analytical Application," Music 12.1 (1990) [40, 4,1-2 & 40, 7,1)].
Hyer, Brian. "Chopin and the In-F-able," in Raphael Atlas and Michael
Cherlin, eds., Musical Transformation and Musical Intuition: Essays
in Honor of David Lewin, Roxbury, Ma..: Ovenbird Press, 1994
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Perspectives of New Music 31.2 (1993) [243, 5, 3-4].
Komar, Arthur. "Ruminating about Schenker: Personal Notes and
Theoretical Revisions," in Raphael Atlas and Michael Cherlin, eds.,
Musical Transformation and Musical Intuition: Essays in Honor of
David Lewin, Roxbury, Ma.: Ovenbird Press, 1994 [38, 0, 8].
Korsyn, Kevin. "Review of Mark Evans Bonds, 'Wordless Rhetoric:
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Spectrum 16.1 (1994) [124, 2, 3-5].
Kramer, Jonathan. The Time of Music: New Meanings, New
Temporalities, New Listening Strategies
, New York: Schirmer
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Marvin, Elizabeth West and Robert W. Wason. "On Preparing Anton
Webern's Early Songs for Performance: A Collaborators' Dialogue,"
Theory and Practice 20 (1995) [120, 5, 1-3].
Mead, Andrew W. An Introduction to the Music of Milton Babbitt,
Princeton: University of Princeton Press, 1994 [8, 1, 4-5].
Narmour, Eugene. The Analysis and Cognition of Basic Melodic
Structures: The Implication-Realization Model
, Chicago and
London: The University of Chicago Press, 1990 [21, 2, 2].
Peles, Stephen. "Continuity, Reference, and Implication: Remarks on
Schoenberg's Proverbial 'Difficulty'," Theory and Practice 17
Polansky Larry, and Richard S. Bassein. "Possible and Impossible Melodies:
Some Formal Aspects of Contour," Journal of Music Theory 36.2
(1992) [271, 3, (1 & 4)].
Rahn, John. "Differences," Perspectives of New Music 31.1 (1993)
Roeder, John. "A Declarative Model of Atonal Analysis," Music 6.1, (1988) [22, 1, (1 & 3)].
Rothstein, William. "On Implied Tones," Music Analysis 10.3 (1991)
Sarath, Ed. "A New Look at Improvisation," Journal of Music Theory
40.1 (1996) [14, 0, 1-2].
Soderberg, Stephen. "Z-Related Sets as Dual Inversions," Journal of Music 39.1 (1995) [77, 2, 1].
Straus, Joseph N. Remaking the Past: Musical Modernism and the
Influence of the Tonal Tradition
, Cambridge, Massachusetts, and
London, England: Harvard University Press, 1990 [184, 2, 6-7].
Westergaard, Peter. "Geometries of Sounds in Time," Music Theory 18.1 (1996) [3, 1, 1-3].
Xenakis, Iannis. "Concerning Time," Perspectives of New Music 27.1
Key to line citations: [page, paragraph,line(s)]
The computer-generated sounds and voices were mixed in the Computer
Music Studios of the Eastman School of Music, August 1-3, 1997.
End of Footnotes