Music Theory Online
Music Theory Online |
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The Online Journal of the Society for Music Theory |
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Volume 5, Number 4 September, 1999
Copyright � 1999 Society for Music Theory
ChordSymbol and CSTimes Fonts
The ChordSymbol and CSTimes music analysis fonts contain a wide variety of music analysis symbols, including roman numerals, three levels of figures and slashed figures, accidentals, careted scale degrees and other Schenkerian symbols, form symbols, and many more. The fonts are available for both Macintosh and Windows, in either TrueType or PostScript formats. Both fonts are useful in word-processing applications such as Microsoft Word, music notation applications such as Coda Finale, and any other application having a font menu. CSutility, a cross-platform variant of the ChordSymbol font specifically intended for use with multimedia development applications such as Macromedia Director, may also be licensed. A pdf flyer containing font samples and all necessary ordering information may be downloaded from John Clevenger's web site at <http://humanitas.ucsb.edu/~clevenge/index.html>, or a paper flyer can be mailed if necessary.
Contact Information:
John Clevenger
Maestro Software
50 S. Patterson Ave., #203
Santa Barbara, CA 93111
E-mail: JClevESM@aol.com
Telephone: (805) 964-7988
Web site: http://humanitas.ucsb.edu/~clevenge/index.html
Int�gral is a juried periodical on music theory, analysis, criticism, and their relationship to composition and performance. It is published annually by the graduate theory students at the Eastman School of Music.
Editorial board members include Kofi Agawu, David Beach, Allen Cadwallader, William Caplin, Michael Cherlin, John Covach, Robert Gjerdingen, Patrick McCreless, Andrew Mead, Benito Rivera, and Robert Wason.
M�RTA GRAB�CZ The Application of A. J. Greimas's Structural Semantics to the Analysis of Sonata Form
Klumpenhouwer Network Symposium:
EDWARD GOLLIN Some Unusual Transformations in Bart�k's 'Minor Seconds, Major Sevenths'
H. KLUMPENHOUWER The Inner and Outer Isomorphisms of Pitch-Class Inversion and Transposition: Some Implications for Analysis with Klumpernhouwer Networks
SHAUGN O'DONNELL Klumpenhouwer Networks, Isography, and the Molecular Metaphor
JOEL GALAND Review of recent books on Classical form by William Caplin, and Nicholas Cook.
MARTHA HYDE Review of The Music of Ruth Crawford Seeger by Joseph Straus
DAVID CARSON BERRY Dynamic Introductions: The Affective Role of Melodic Ascent and Other Linear Devices in Selected Song Verses of Irving Berlin
DAVID CLAMPITT Ramsey Theory, Unary Transformations and Webern's Op. 5, No. 4
JOHN DOERKSEN Comparing Collections of Set-Classes: Indexes in Forte's Genera Theory
DAVID SMYTH Beethoven's Last Bagatelle
DAVID GAGN� Review of Unfoldings by Carl Schachter
GUY CAPUZZO Review of The Music of Elliott Carter, 2nd ed., by David Schiff
View our index of back issues on-line at
http://theory.esm.rochester.edu/integral
Single volume: $14 ($12 for students, $18 for institutions)
Back issues (vols. 1-10): $12 ($10 for students, $16 for institutions)
Complete back issues: $108 ($90 for students, $144 for institutions)
Prepayment of orders is appreciated but not required. Checks (in U.S. dollars) should be made payable to Int�gral. Outside North America, please add $4.00 postage per volume (up to $12.00). Please allow 4-6 weeks for delivery.
Send subscription requests to:
Subscriptions Manager, Int�gral
Eastman School of Music
26 Gibbs Street, Rochester, NY, USA 14604
[1] Music Theory Online (MTO) as a whole is Copyright � 1999, all rights reserved, by the Society for Music Theory, which is the owner of the journal. Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.
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This page prepared by
Eric J. Isaacson, General Editor
14 November 2002