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  1. Home
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  3. Vol. 24 No. 4 (2018)

Published: 2019-01-07

Articles

Rehearsing Free Improvisation? An Ethnographic Study of Free Improvisers at Work

Clement Canonne
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Horizontal-Shifting Counterpoint and Parallel-Section Constructions in Contrapunctus 8 and 11 from J. S. Bach's Art of Fugue

Denis Collins
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Koch, Carpani, and Momigny: Theorists of Agency in the Classical String Quartet?

Edward Klorman
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Editorial Markings as Analysis in Bach's Partita No. 1 for Solo Violin, "Corrente"

Crystal Peebles
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Susanna's 'Deh vieni'

Paul Sherrill
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Animated performance: 'Better' music means larger movements

Caitlyn Trevor
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Queue the Roll: Taylorized Labor Practices and Music of the Machine Age

Allison Wente
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Introduction: European Perspectives on Recent Tonal Theories

Christophe Guillotel-Nothmann
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Conditional Asymmetry and Spontaneous Asymmetry of Harmonic Progressions: The changing status of the directional tendency of root progressions in madrigal cycles from Verdelot to Monteverdi (c. 1530-1638).

Christophe Guillotel-Nothmann
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Fundamental Bass and Real Bass in Dialogue: Tonal Aspects of the Structural Modes

Karst De Jong
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Harmonic Vectors and the Constraints of Tonality

Nicholas Meeus
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Parsimonious Voice Leading and the Stimmfuhrungsmodelle

Ariane Jessulat
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Sequences: Between affirmation and destruction of tonality

Jan Philip Sprick
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The Individual Tone and Musical Context in Albert Simon’s Tonfeldtheorie

Michael Polth
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