Published: 2019-01-07

Articles

Rehearsing Free Improvisation? An Ethnographic Study of Free Improvisers at Work

Clement Canonne
HTML

Horizontal-Shifting Counterpoint and Parallel-Section Constructions in Contrapunctus 8 and 11 from J. S. Bach's Art of Fugue

Denis Collins
HTML

Koch, Carpani, and Momigny: Theorists of Agency in the Classical String Quartet?

Edward Klorman
HTML

Editorial Markings as Analysis in Bach's Partita No. 1 for Solo Violin, "Corrente"

Crystal Peebles
HTML

Susanna's 'Deh vieni'

Paul Sherrill
HTML

Animated performance: 'Better' music means larger movements

Caitlyn Trevor
HTML

Queue the Roll: Taylorized Labor Practices and Music of the Machine Age

Allison Wente
HTML

Introduction: European Perspectives on Recent Tonal Theories

Christophe Guillotel-Nothmann
HTML

Conditional Asymmetry and Spontaneous Asymmetry of Harmonic Progressions: The changing status of the directional tendency of root progressions in madrigal cycles from Verdelot to Monteverdi (c. 1530-1638).

Christophe Guillotel-Nothmann
HTML

Fundamental Bass and Real Bass in Dialogue: Tonal Aspects of the Structural Modes

Karst De Jong
HTML

Harmonic Vectors and the Constraints of Tonality

Nicholas Meeus
HTML

Parsimonious Voice Leading and the Stimmfuhrungsmodelle

Ariane Jessulat
HTML

Sequences: Between affirmation and destruction of tonality

Jan Philip Sprick
HTML

The Individual Tone and Musical Context in Albert Simon’s Tonfeldtheorie

Michael Polth
HTML