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Vol. 27 No. 2 (2021)
Published:
2021-06-18
Articles
The Shapes and Functions of Continuous Processes in Contemporary Electronic Dance Music
Jeremy Walter Smith
What Are the Truly Aural Skills?
Timothy Chenette
Developing Musical Imagery: Contributions from Pedagogy and Cognitive Science
Sarah Gates
A Cognitive Basis for Choosing a Solmization System
Gary Karpinski
‘…and a melodic reinvention’: Melody on the Threshold in Spectral Music
James Donaldson
Reframing Generated Rhythms and the Metric Matrix as Projections of Higher-Dimensional Lattices in Scott Joplin’s Music
Joshua W Hahn
Feeling Process through Dance: Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time in Reich’s Music
Mariusz Kozak
Asymmetrical Meter, Ostinati, and Cycles in the Music of Tigran Hamasyan
Scott Charles Schumann
“War and the Musical Grotesque in Crumb’s ‘When Johnny Comes Marching Home.’”
Abigail Shupe
Flexible Ostinati, Groove, and Formal Process in Craig Taborn’s Avenging Angel
Antares Boyle
Rethinking Aural Skills Instruction through Cognitive Research: A Response
Elizabeth Marvin
Reviews
Music Theory's Visceral Turn
Stephen Kovaciny