Published: 2021-06-18

Articles

The Shapes and Functions of Continuous Processes in Contemporary Electronic Dance Music

Jeremy Walter Smith

What Are the Truly Aural Skills?

Timothy Chenette

Developing Musical Imagery: Contributions from Pedagogy and Cognitive Science

Sarah Gates

A Cognitive Basis for Choosing a Solmization System

Gary Karpinski

‘…and a melodic reinvention’: Melody on the Threshold in Spectral Music

James Donaldson

Reframing Generated Rhythms and the Metric Matrix as Projections of Higher-Dimensional Lattices in Scott Joplin’s Music

Joshua W Hahn

Feeling Process through Dance: Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time in Reich’s Music

Mariusz Kozak

Asymmetrical Meter, Ostinati, and Cycles in the Music of Tigran Hamasyan

Scott Charles Schumann

“War and the Musical Grotesque in Crumb’s ‘When Johnny Comes Marching Home.’”

Abigail Shupe

Flexible Ostinati, Groove, and Formal Process in Craig Taborn’s Avenging Angel

Antares Boyle

Rethinking Aural Skills Instruction through Cognitive Research: A Response

Elizabeth Marvin

Reviews

Music Theory's Visceral Turn

Stephen Kovaciny