Published: 2018-10-31

Articles

Expressive Meaning and the Empirical Analysis of Musical Gesture: The Progressive Exposure Method and the Second Movement of Beethoven's Pathetique Sonata

Joshua Albrecht
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Schubert's Development of Harmonic Motives in his Early String Quartets

Brian Black
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Reciprocal Interactions of Music and Painting: Representation Types in Schuller, Tan, and Davies after Paul Klee

Orit Hilewicz
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"So Complete in Beautiful Deformity:" Unexpected Beginnings and Rotated Riffs inMeshuggah's obZen

Olivia Lucas
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What Can the Temporal Structure of Auditory Perception Tell Us about Musical “Timelessness�

Jason Noble
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Introduction: Agency and Musical Performance

Eugene Montague
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Understanding Agency from the Decks to the Dance Floor

Tami Gadir
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Motor Constraints Shaping Musical Experience

Rolf Godoy
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Facilitative Agency in Performance

Roger Graybill
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Performers as Creative Agents; or, Musicians Just Want To Have Fun

Edward Klorman
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Performing Agency: A Response

Lawrence Zbikowski
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