Music Theory Online Volume 18, Number 2

Volume 18 Number 2, June 2012

Editor’s Message

Articles

Timbre as Differentiation in Indie Music	18.2.1
David K. Blake (SUNY-Stony Brook)

Scriabin and the Possible	18.2.2
Anna M. Gawboy (Ohio State University) Justin Townsend (Northeastern University)

Between Romanticism and Modernism and Postmodernism: George Crumb’s Black Angels	18.2.3
Blair Johnston (Indiana University)

Clean as a Whistle: Timbral Trajectories and the Modern Musical Sublime	18.2.4
Rebecca Leydon (Oberlin College)

Reviews

Review of Timothy Johnson, John Adams’s “Nixon in China”: Musical Analysis, Historical and Political Perspectives (Ashgate, 2011)	18.2.5
Kyle Fyr (University of Northern Colorado)

Review of Patricia Hall, Berg’s “Wozzeck” (Oxford University Press, 2011)	18.2.6
Dave Headlam (Eastman School of Music)

Review of Evan Jones ed., Intimate Voices: The Twentieth Century String Quartet (Rochester University Press, 2009)	18.2.7
Mariusz Kozak (University of Chicago)

Review of David Damschroder, Harmony in Schubert (Cambridge University Press, 2010)	18.2.8
Gordon Sly (Michigan State University)

Conference Report

“Brahms in the New Century”: A Conference Report	18.2.9
Heather Platt (Ball State University)

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