MTO

Music Theory Online

The Online Journal of the Society for Music Theory


Volume 6, Number 1 January, 2000 ISSN 1067-3040
Copyright � 2000 Society for Music Theory


General Editor
Eric Isaacson (Indiana University)
Editorial Board Reviews Editor
Jane Piper Clendinning (Florida State University) Robert Gjerdingen (Northwestern University)
Henry Klumpenhouwer (University of Alberta) mto-talk Manager
Patrick McCreless (Yale University) Jay Rahn (York University)
Catherine Nolan (University of Western Ontario) MTO Manager
Larry Zbikowski (University of Chicago) Ichiro Fujinaga (Johns Hopkins University)

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Table of Contents

1. Articles

The essays in this issue were presented on November 13, 1999, as an International Keynote Symposium during the Plenary Session at the Society for Music Theory's 22nd meeting in Atlanta.

Nicolas Mee�s (Universit� de Paris--Sorbonne), Toward a Post-Schoenbergian Grammar of Tonal and Pre-tonal Harmonic Progressions
[Frames] [No frames]

Willie Anku (University of Ghana), Circles and Time: A Theory of Structural Organization of Rhythm in African Music
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Jos� Luis Martinez (Catholic University of S�o Paolo), Semiotics and the Art Music of India  
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Danuta Mirka (Szymanowski Academy, Katowice, Poland), The Structural Role of Timbre and Texture in the Music of Penderecki    
[Frames] [No frames]

Kofi Agawu (Princeton University), Response


2. Music Theory Internationalglobe1.gif (3608 bytes)

Tamara W. Roemjantsew, Report on Two Conferences in the Netherlands


3. Reviews

J. Daniel Jenkins, Review of David Schiff, The Music of Elliott Carter. 2nd ed. Ithaca: Cornell University Press, 1998.

Jeffrey Perry, Review of Allen Forte, The Atonal Music of Anton Webern. New Haven: Yale University Press, 1999.
[Frames] [No Frames]

Robert Rawlins, Review of Mark Levine, The Jazz Theory Book. Petaluma, Calif.: Sher Music, 1995.

Roger Vetter, Review of Michelle Kisliuk, Seize the Dance: BaAka Musical Life and the Ethnography of Performance. New York: Oxford University Press, 1998.


4. Announcements


5. Employment


6. New Dissertations


7. Communications

Editor's Comments

Copyright Statement

Copyright � 2000 by the Society for Music Theory.
All rights reserved.

[1] Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.


This page prepared by
Eric J. Isaacson, General Editor
18 November 2002