Music Theory Online Volume 10, Number 1

ISSN 1067-3040

Please note: To post to mto-talk, you must first subscribe to the mto and mto-talk lists

Volume 10, Number 1, February 2004
Copyright � 2004 Society for Music Theory

Table of Contents

Editor's Message

Articles

Janet Schmalfeldt (Tufts University)

Keynote Address, Twenty-Sixth Annual SMT Conference: "Coming Home"
[With Frames] [Without Frames]

Roger Wibberley (Goldsmiths University of London)

Three Essays on Syntonic Tuning

Quid non ebrietas dissignat? Willaert's didactic demonstration of Syntonic tuning
[With Frames] [Without Frames]

Syntonic Tuning: A Sixteenth-Century Composer's Soundscape
[With Frames] [Without Frames]

Syntonic Tuning: Creating a Model for Accurate Electronic Playback
[With Frames] [Without Frames]

Employment Opportunities

Butler University, Assistant Professor
University of Cincinnati, Assistant/Associate Professor
University of Bristol, Lecturer (two positions)
Universite Laval, Faculty Position in Aural Skills
Eastman School of Music, Aural Skills Instructor
Indiana University, Position in Music Informatics
North Carolina School of the Arts, School of Music Dean
Memorial University of Newfoundland, various positions
Texas Tech University, Assistant Professor
Tufts University, one-year full-time position

New Dissertations

Kievman, Carson. "Ockeghem and Ligeti: The Music of Transcendence." Princeton University, June 2003.
Steenstra, Sytze G. "We Are The Noise Between Stations: A philosophical exploration of the work of David Byrne, at the crossroads of popular media, conceptual art, and performance theatre." Maastricht University, The Netherlands, June 2003.
Wright, James K. "Schoenberg, Wittgenstein, and the Vienna Circle: Epistemological Meta-Themes in Harmonic Theory, Aesthetics, and Logical Positivism." McGill University, February 2002.

Review

Michelle E. Hakanson (University of Oregon)
Review of Carol J. Oja, Making Music Modern: New York in the 1920s
(New York: Oxford University Press, 2000)

Richard Bass (University of Connecticut)
Review of David Kopp, Chromatic Transformations in Nineteenth-Century Music
(Cambridge: Cambridge University Press, 2002)

Announcements

[1] Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.

Return to top

This page prepared by Timothy Koozin, Editor
Updated 11 February 2004

Calls for Papers

Conference Announcements

Journal-Related Announcements