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Amanda Stringer Sauer, Cognitive Dissonance and the Performer’s Inner Conflict |
Example 9. Beethoven, Op. 101, transition to finale, mm. 21–33
:
| << Previous |
Amanda Stringer Sauer, Cognitive Dissonance and the Performer’s Inner Conflict |
Example 9. Beethoven, Op. 101, transition to finale, mm. 21–33