Music Theory Online
The Online Journal of the Society for Music
Theory
Copyright � 1996 Society for Music Theory
Volume 2, Number 5 July, 1996 ISSN 1067-3040
General Editor Editorial Board
Lee Rothfarb
(UC Santa Barbara) David Headlam (Eastman School of Music)
Justin London (Carleton College)
Ann McNamee (Swarthmore College)
Reviews Editor Consulting Editors
Brian Alegant Bo Alphonce Thomas Mathiesen
(McGill University) Jonathan Bernard Benito Rivera
John Clough John Rothgeb
Nicholas Cook Arvid Vollsnes
Allen Forte Robert Wason
Marianne Kielian-Gilbert Gary Wittlich
Stephen Hinton
Manager Editorial Assistants Music Example Designer
Robert Judd Cindy Nicholson William Loewe
Ralph Steffen
Nicholas Blanchard
All queries to the MTO General Editor or to the MTO Manager
TABLE OF CONTENTS
1. Target Article
- Roger Wibberley,
Josquin's Ave Maria Musica Ficta versus Mode
2. Commentaries
- David L. Schulenberg,
Commentary on Channan Willner, "More on Handel and the Hemiola"
3. Reviews
- Jane Clendinning, Review/Article of Miguel A. Roig-Francoli's article "Harmonic
and Formal Processes in Ligeti's Net-Structure Compositions," Music
Theory Spectrum 17/2 (Fall, 1995), 242-267.
4. MTO Correspondents
- Peter Castine, Review of "The Beginnings of Serial Music," Berlin, Germany, June 20-25 1996
- W.W. Norton
- Robert Gauldin, Harmonic Practice in Tonal Music (a text for
the four-semester theory sequence; comes with workbook and CDs)
- Samuel Adler, Sight Singing: Pitch, Interval, Rhythm, 2nd ed.
(a text for the four-semester sight singing sequence, based on
intervals and interval relationships)
- Sol Berkowitz et al., A New Approach to Sight Singing. 4th ed. (a
text for the four-semester sight singing sequence, based on
tonal relationships)
- Daniel Kazez, Rhythm Reading: Elementary Through Advanced Training,
2nd ed. (a text for the four-semester sight singing sequence,
dealing with rhythm only)
- The University of California Press
- Richard Taruskin, Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra
- Laszlo Somfai, Bela Bartok: Composition, Concepts, and Autograph Sources
- Patricia Hall, A View of Berg's Lulu through the Autograph Sources
- Harvard University Press
- Mark Evan Bonds, After Beethoven: Imperatives of Originality in the Symphony
- Laurence Dreyfus, Bach and the Patterns of Invention
- Cambridge University Press: Organised Sound
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This page prepared by
Lee A. Rothfarb, General Editor
[date]