MTO



Music Theory Online







The Online Journal of the Society for Music Theory


Copyright � 1996 Society for Music Theory
Volume 2, Number 5 July, 1996 ISSN 1067-3040


General Editor Editorial Board

Lee Rothfarb (UC Santa Barbara) David Headlam (Eastman School of Music) Justin London (Carleton College) Ann McNamee (Swarthmore College)

Reviews Editor Consulting Editors

Brian Alegant Bo Alphonce Thomas Mathiesen (McGill University) Jonathan Bernard Benito Rivera John Clough John Rothgeb Nicholas Cook Arvid Vollsnes Allen Forte Robert Wason Marianne Kielian-Gilbert Gary Wittlich Stephen Hinton

Manager Editorial Assistants Music Example Designer

Robert Judd Cindy Nicholson William Loewe Ralph Steffen Nicholas Blanchard All queries to the MTO General Editor or to the MTO Manager

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TABLE OF CONTENTS

1. Target Article

Roger Wibberley, Josquin's Ave Maria Musica Ficta versus Mode


2. Commentaries

David L. Schulenberg, Commentary on Channan Willner, "More on Handel and the Hemiola"


3. Reviews

Jane Clendinning, Review/Article of Miguel A. Roig-Francoli's article "Harmonic and Formal Processes in Ligeti's Net-Structure Compositions," Music Theory Spectrum 17/2 (Fall, 1995), 242-267.


4. MTO Correspondents

Peter Castine, Review of "The Beginnings of Serial Music," Berlin, Germany, June 20-25 1996


5. Announcements


6. Employment


7. New Dissertations


8. New Book Releases


9. Advertisements


10. Communications


Copyright Statement

[1] Music Theory Online (MTO) as a whole is Copyright � 1996, all rights reserved, by the Society for Music Theory, which is the owner of the journal. Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.


This page prepared by
Lee A. Rothfarb, General Editor
[date]