- Edward D. Latham, Review of Ethan Haimo's
article, "Atonality, Analysis, and the Intentional Fallacy," Music Theory Spectrum
18.2 (Fall 1996)
- New Discussion List for Analysis of Classical
Music
- The Ethnic in Music: A Conference
- American Bach Society Meeting
- Oberlin Conservatory: Workshops in Electronic
and Computer Music
- International Workshop on Computational Semiotics
- Association for Technology in Music Instruction:
Annual Meeting
- International Schubert Conference - France
- Society for Music Perception and Cognition:
Conference
- Summer Sessions at CCRMA, Stanford University
- Institute for Music History, Vienna: Call
for Papers
- Music Theory Society of New York State: Annual
Meeting
- Lexikon-Sonate Online
- International Schubert Conference - Vienna
- University of the Pacific, Conservatory of
Music: Composition and Theory
- University of Pennsylvania: Ethnomusicology
- Burkett, Lyn E. Counterpoint as a Model
for Post-Tonal Experimental Music: Theories of Seeger, Krenek, Hindemith, and
Schoenberg.
- Carter, Chandler. The Progress in "The
Rake's" Return. City University of New York, 1995.
- O'Donnell, Shaugn J. Transformational
Voice Leading in Atonal Music.
Indiana University Press
- Kenneth Drake, The Beethoven Sonatas
and the Creative Experience
- Robert S. Hatten, Musical Meaning
in Beethoven: Markedness, Correlation, and Interpretation
- A. Peter Brown, Joseph Haydn's Keyboard
Music: Souces and Style
- Symbolic Composer 4.0
for the PowerMac
- Experimental Etudes: 20
Pieces on Problem in Contemporary Music Performance
- Editor's Message
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3/13/97