Music Theory Online
The Online Journal of the Society for Music
Theory
Copyright � 1998 Society for Music Theory
Volume 4, Number 1 January, 1998 ISSN 1067-3040
General Editor | Editorial Board |
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Lee Rothfarb (UC Santa Barbara) | Henry Klumpenhouwer (University of Alberta) |
| Justin London (Carleton College) |
| Catherine Nolan (University of Western Ontario) |
Reviews Editor | Consulting Editors |
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|
Brian Alegant (Oberlin College) | Bo Alphonce | Richard Littlefield |
| Jonathan Bernard | Thomas Mathiesen |
| John Clough | Benito Rivera |
| Nicholas Cook | John Rothgeb |
| Allen Forte | Arvid Vollsnes |
| Stephen Hinton | Robert Wason |
| Marianne Kielian-Gilbert | Gary Wittlich |
MTO Correspondents | |
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Per F. Broman, Sweden | Nicolas Meeus, Belgium, France |
Peter Castine, Germany | Ken-ichi Sakakibara, Japan |
Wai-ling Cheong, Hong Kong | Roberto Saltini, Brazil |
Geoffrey Chew, England | Michiel Schuijer, Holland |
Gerold W. Gruber, Austria | Uwe Seifert, Germany |
Henry Klumpenhouwer, Canada | Arvid Vollsnes, Norway |
Marco Renoldi, Italy | | |
Manager | Editorial Assistants | Music Example Designer | MIDI Consultant |
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Ichiro Fujinaga | Cindy Nicholson | William Loewe | David Patrick Watts |
| Martin Steffen | | |
| Nicholas Blanchard | | |
| Jon Koriagin | | |
mto-talk Manager | HTML and Java Consultant |
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Jay Rahn | Bruce Petherick |
All queries to the MTO General Editor or to the MTO Manager
TABLE OF CONTENTS
1. Target Article
- Lawrence Zbikowski, Metaphor
and Music Theory: Reflections from Cognitive Science
[Frames]
[Noframes]
2. Review
- Benedict Weisser, Review
of David Cope, Techniques of the Contemporary Composer
[Frames]
[Noframes]
3. Music Theory International | |
- Per F. Broman, Report
from the "Skagerack Network" Analysis Workshop at Lyseby Conference Center in Oslo, Norway,
November 20-23, 1997
[Frames]
[Noframes]
- University of Iowa, Assistant Professor, Theory
- Florida State University, Assistant Professor, Composition/Theory
- Knox College, Assistant Professor, Theory/Keyboard
- Brock University, Assistant Professor, Musicology or Theory
- Eastman School of Music, Assistant or Associate Professor, Musicology
- The College of William and Mary, Assistant Professor (1-2 years), Composition/Theory
- University of Cincinnati, Assistant and Associate Professor (2 positions), Theory
- Biamonte, Nicole V. The
Modes in Romantic Music (Yale University, 1998 [projected])
- Buchler, Michael H. Relative
Saturation of Subsets and Interval Cycles as a Means for Determining Set-Class Similarity
(Eastman School of Music, 1997)
- Cahn, Steven J. Variations In
Manifold Time: Historical Consciousness In The Music And Writings of Arnold Schoenberg
(SUNY/Stony Brook, 1996)
- Cotner, John S. Archetypes of
Progressive Rock, ca. 1966-1973 (University of Wisconsin/Madison, 1999 [projected])
- Hoffmann, Peter. Music Out
of Nothing? The Dynamic Stochastic Synthesis: a Rigorous Approach to Algorithmic Composition by
Iannis Xenakis (Technische Universit�t Berlin, 1998 [projected])
- Pye, Richard, C. The Music of
William Schuman (University of Newcastle, 1999 [projected])
- Wiens, Carl K. Igor Stravinsky
and Agon (University of Michigan, 1997)
- Duke University Press
- David Schwarz,
Listening Subjects: Music, Psychoanalysis, Culture
- Indiana University Press
- Oxford University Press
- Nicholas Cook, Analysing Musical Multimedia
- Nicholas Cook, Analysis Through Composition: Principles of the Classical Style
- Timothy J. McGee, The Sound of Medieval Song: Ornamentation and Vocal Style According to
the Treatises
- Jeffrey Kurtzman, The Monteverdi Vespers of 1610: Music, Context, and Performance
- Jessie Ann Owens, Composers at Work: The Craft of Musical Composition 1450-1600
- Dolores Pesce, ed. Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance
- William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music
of Haydn, Mozart, and Beethoven
- Ethan Haimo, Haydn's Symphonic Forms: Essays in Compositional Logic
- Sandra McColl, Music Criticism in Vienna, 1896-1897: Critically Moving Forms
- Adrienne Fried Block, Amy Beach Passionate Victorian: The Life and Works of the American
Composer 1867-1944
- Peter Williams, The Chromatic Fourth: During Four Centuries of Music
- Allen Cadwallader and David Gagne, Analysis of Tonal Music: A Schenkerian Approach
- Christopher Hasty, Meter as Rhythm
- George Pratt, The Dynamics of Harmony: Principles and Practice
- Roger Scruton, The Aesthetics of Music
- Wayne D. Bowman, Philosophical Perspectives on Music
- George Dickie, Introduction to Aesthetics: An Analytic Approach
- University of California Press
- Editor's Message
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This page prepared by
Lee A. Rothfarb, General Editor
[date]